Without Counterweight Disgust, he said, disgust; seal your ears, your nostrils, your eyes. To hear what? To see what? Seven bullets, eight bullets. And the killer killed, same as the other, here and there. Where can you look? What can you juxtapose? All the flags are torn to the whole length of time and there isn’t one on a balcony to lower half mast. Old newspapers float on the water next to the drown men.
Having reached this point, we shall attempt to establish the connection with the other assertion according to which the vast majority of aestheticians believe that poetry, as fiction, may disregard truth as correspondence with reality, and consequently may also disregard the world and reality themselves as Imaginative possibilities. As we have already indicated, this assertion is broadly correct and contains a certain apparent degree of veridicality (sic!); nevertheless, it is fundamentally false. This falsehood stems, specifically, from a mistaken understanding of the notion of truth–an error perpetuated ever since Aristotle and finding its definitive expression in the Thomistic formula adequatio rei ad intellectum. It is no longer a bold claim to state that Europeans employ the concept of truth in a manner that might be regarded as arbitrary, totalizing, and one-sided. Over time, the Thomistic definition has gained increasing ground, eventually imposing itself almost completely. In this respect, the example of the sciences is more than revealing. As a consequence, we now think of truth only formaliter, that is, as the correspondence of the intellect to the thing, to empirical factuality and objectively available reality. Yet truth must instead be thought on the basis of that which is true. Our discussion of this concept will begin with the Greek word Aletheia, drawing support from Heidegger’s interpretation, in which Aletheia is understood as unconcealment, the state of being disclosed. Is it necessary to reactivate the Greek philosophical concepts concerning truth? “Not at all. A reactivation, even if such an impossibility were to become possible, would be of no help. For the hidden history of Greek philosophy consists from the very beginning in the fact that it turns away from the essence of truth–which announces itself in a flash through the word aletheia–and finds itself increasingly…
Avoidance Comfortable, cozy you are in the safety of four walls pasted in lavish satin soft hues, golden threads and exquisite embroidery far away from risk of battle hammering just outside your front step, always calculating ifs and whys falling or losing fear controlling, mind abusing your logic, yet when love beckons you you don’t embrace it and when affection dwells in your heart you don’t bestow it unto the dry petals of your life why are you still breathing?
Last year at Brodick was a disaster. It should have literally been the last. But back they came. ‘This year will be even better than last,’ his mother had written. ‘Morag is her old self again after that awful experience in August and Rowena is just such a sweet little doll. We are going to be so happy showing her off to all the other guests and visitors. She will be the Little Belle of Brodick this year. If only your dear father could be there in flesh instead of in spirit. But how proud he must be in any case, as I am. Hamish has continual headaches these days and Alec is pale and liverish from working so hard. They both need the holiday at Brodick, as you must too. Could you not take the earlier week off and be with us the whole time? After all, you are the boss of that firm of yours. And Morag never sees you through the year. She misses you. She says you are becoming more a stranger than a brother.’ This year the changes of last year were twelve months worse. Mrs Anderson’s whole body was turning to steel, like her tiny, ball-bearing eyes. Morag was no longer pregnant. She was anaemic and tired and bitchier than ever. Rowena ran away every time Ian approached and screamed that he was going to beat her. This invariably brought Morag or her mother or both of them running to the child’s side, yelling at Ian to leave the little dote alone, to act his age and stop bullying a mere infant. Hamish and Alec sat all day every day in the stuffy sitting room, playing cribbage almost interminably. There were no walks, no golf, no drinks. Only the boat-trips were continued, apparently for Rowena’s sake, but Ian had missed those during the first week of the holiday. ‘Never mind, Ian; we’ll all enjoy the return trip to Gourock at the end of the week,’ his mother said. ‘It’ll be so lovely to have us all together again, the whole family, sailing up the Clyde towards home. I bet your dear father is sighing so contentedly if only we could hear him.’ ‘I won’t be going back with you at the end of the week.’ ‘What do you mean, Ian; you won’t be going back with us at the end of the week? Of course you will.’ His mother’s voice grew shrill, like the high-pitched squeal of scraped metal. ‘I won’t be. I’m leaving this morning. I’m catching the boat back to Belfast tonight.’ ‘But Ian, it’s only Tuesday,’ Morag pointed out. ‘I’ve hardly seen you.’ ‘Look your fill,’ said Ian, glancing at his watch. ‘You’ve got one hour and thirty-five minutes.’ ‘Oh you insufferable, inhuman monster,’ Morag yelled. ‘You’re making a mockery out of family feelings and affections.’
And so is this one who has aged and whose sin and regret don’t keep her awake beyond herself and who doesn’t care for gossip and such These are today’s women, one of them says, their husband is never enough and how can he be enough when he’s old? The other said, and compassion, standing erect, shines like a shield in the sundown with Justice hanging onto it like a thousand-year-old toothless mast, still shivering in its anger. The third maid, the wisest, kept her mouth shut and her eyes were blind and floating in dreams. Truly strange: people talk about everything foreign and distant to them while they experience all other burning things which keep them awake during the night in their silence and when they die they take them to their grave; for this reason the dead are silent since they live their true life in the grave. In fact the clerk was ready to read the daily police reports in the tomorrow news. Indeed he was on time: certainly five years in jail. He didn’t know, perhaps because he always hated the keys, that each person keeps the key to their prison in their pocket and pretends to have forgotten it, and this is their prison.
JOY Hope the flower opposite the bulrush smiles like my love for the verdure cypress plays tenderly with the rays graves become fragrant wedding chambers pulse of the forest, gallop of a doe next to where we two were laid wild lilies dripped their souls a bloody rose, my joy blooms. I see the breeze playing with your hair your eyes are deep as I find the path of my life this April I no longer fear for the anemone which wilts in the love of life and I charge to drink the nectar of your lips.
Hera The moment came when Hera ordered to throw me into the darkness of the uterus, moist, protecting, cell by cell molecule by molecule the concept of division to define concepts, images yet undecipherable I wasn’t bad in my crudeness many-faceted multi-layered manifold the expressionist the hedonist the self-absorbed the life’s laughter that I was meant to become when the cosmic compromise started taking control of my life
Between Minimal and Infinite No one is born in his homeland some souls welcome us to life others say goodbye departing in between we float at the mercy of a foreign language rusted words empty shells meaningful urns beings focused on the foolishness of love sailors of heavenly seeds, unwritten music scores sailboats unload light and colourful allegories mythology memory of light and darkness I would trade my days to regain a new birth in the loss this Edem is not in our time it is a fiber of the heart blind music shadow of the mind searches for a world habituated different light overflowing but doesn’t change wedged in the flow of ecstasy between the minimal and infinity
Cyber Love What strange games our minds play with us, my love! I started falling in love with you, without even knowing you. I have never heard your voice yet I dream of you and I find myself worrying about you. I “feel” you sad, tired and stressed. I expect your messages, you vanish for a day and I miss you so much. Slowly I fall in love with you. You come into my mind and in my soul deviously you coil yourself around me like a spider its web, it becomes my sweet routine. How are you in reality? Is your smile the way I imagine it? Is your hug the way I close my eyes and imagine it? Your arms? And that sadness and melancholy that goes through the words and reaches my soul? Is it true as I feel it?