The Gospel of Silence

excerpt

The sandy stretch beneath the Mureş River embankment served
as the beach. In summer we went there every day on foot, enjoying
the water, the sunlight, watching the girls and women as though
the order of the world might remain unchanged forever. Back then
the watermill still functioned for a while, the one that had once
belonged to my maternal grandparents. And the Rákóczi-Kornis
castle had not yet collapsed into ruin — it operated as an agricultural
school.
At school we committed every prank imaginable. Teachers were
still permitted to use corporal punishment. We received hard slaps.
Șerban’s method was the cruelest: he grabbed the hair beside one’s
ear and lifted until the tuft remained in his hand. Others struck our
palms with rulers. If we jerked our hand away, we had to stretch it
out again until the blow landed properly. Our hands throbbed for
days afterward. That was why the favorite punishment was being
thrown out of class. Then at least we could find something to occupy
ourselves with.
It was a mixed-language school, with Romanian and Hungarian
classes. Back then the balance was still more or less even. Later the
proportions shifted; the Hungarian secondary school disappeared,
and even in the elementary school fewer and fewer Hungarian
pupils remained. At that time there were no dramatic ethnic tensions.
It amounted to little more than the strongest Hungarian boy,
Józsi Türke — who later became my brother-in-law — testing his
strength against Grecu, the Romanians’ muscular champion. The
children circled around them, each camp proclaiming its own warrior
the victor.
Church holidays meant something slightly different to us children
than to the devout believers. At Christmas we went caroling.
For weeks beforehand we practiced Christmas songs, sometimes at
our house, sometimes at my friend István’s. Amid the many false,
whining voices filling the streets, our singing was beautiful, and
those who welcomed our carols praised us for it.

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‘IMPRESSIONS FROM ROMANIA’ by Manolis Aligizakis the 2017 Mihai Eminescu Academy Award Winner


Romania impressed me in an unprecedented way. Although this year’s trip was my second one, I was still amazed by the depth of culture the citizens of Craiova displayed. One day was dedicated to their most famous sculptor Constantin Brancusi whose ensemble of three works have deeply stayed with me: Brancusi’s works The Endless Column, The Gate of the Kiss, and The Silent Table which constitute an ensemble. The Endless Column symbolizes the concept of infinity and the infinite sacrifice of the Romanian soldiers; it stacks 17 rhomboidal modules, with a half-unit at the top. The incomplete top unit is thought to be the element that expresses the concept of the infinite. The Gate of the Kiss features a kiss motif on the gate pillars. It symbolizes the transition to another life that occurs through The Gate of Kiss. The Table of Silence is a circular stone table surrounded by twelve hourglass-seats, which symbolize time. The Table of Silence represents the last dinner before the Romanian men go to war.


Something else that amazed me in Romania where the people are 90 % Orthodox Christians: Their Christian Church of Saint Constantine and Saint Helen, in front of the City Hall depicts icons of saints not only inside the building but outside as well. But what intrigued me the most was that besides the Christian saints they also had icons for the ancient Greek writers, philosophers, law givers, such as Socrates, Plutarch, Thoukididis, Solon, Pythagoras, and others.


Another noteworthy impression was when I met a 7 year boy who in one week created the caricatures of 39 poets and poetesses who participated in this year’s Mihai Eminescu International Poetry Festival, held in Craiova. I told his mother, with the help of the translator, that her son one day will become a great Romanian.

Manolis Aligizakis visited Romania in August-September 2017 to participate in the Mihai Eminescu International Poetry Festival where he won the FIRST POETRY PRIZE for 2017 awarded by the Mihai Eminescu Academy in Craiova, Romania..’ More is at the link below:
manolis-algizakis-wins-the-first-poetry-prize-for-2017