Tag: aurora-borealis

Ken Kirkby – Warrior Painter

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excerpt

The Minister was a Maritimer and his open, neighbourly manner
delighted Ken. Their meeting resulted in the eminently successful 1975
exhibition of Ken’s Arctic work in Spain, and in the fashion of one domino
tipping the next, the first Canadian exhibition of the Arctic works was
triggered. Once the unusual, haunting images had been seen, and the origin
of the work was explained, all the right people wanted to own one of the
paintings, and gallery owners were clamouring to exhibit them. Best of
all, to Ken’s mind, it had been accomplished without cost to the Canadian
government beyond their public support and a few phone calls.
This was the beginning of the long road to the national introduction of
the Inuit, their stories and experiences, and the growing acceptance of the
symbol of the Inukshuk as a uniquely Canadian icon. It could be argued
this was the pivotal step that led to the Inukshuk becoming the distinctive
symbol of welcome for the 2010 Vancouver Olympics.
The Arctic paintings sold by the hundreds, nationally and internationally,
to the point where, a quarter of a century later, Canadian Art galleries were
objecting to anything other than ice, snow and Inuksuit displaying the
Kirkby name. It was ironic.
~~
Despite the history, the lack of outlets for Kirkby’s west coast images
promised a lean period ahead for the painter. He decided to force the issue
by withholding all of his art until the galleries accepted his new works. The
businessmen amongst the owners appreciated the fact that a painting with
the Kirkby signature translated into a certain sale, and Ken’s experience had
proven they’d come around when their stock was depleted.
He continued to work late, the bright light a beacon, spilling warmth
from the loft window. And then, one night he returned to the cottage to
find the message light blinking on the answering machine. That was the
start. While gallery managers still hopefully requested the Arctic series,
they agreed to hang work from his Vancouver Island series. Happily, new
customers liked it and previous Kirkby collectors were intrigued. Ten
years since that breakthrough, his work is more popular than ever and…

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https://www.amazon.com/dp/B00CB8W4CG

Ken Kirkby, A Painter’s Quest for Canada

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…grandly feted and on another day, he and Marsha visited the village that
had been his home. They walked up the Avenue of Princes and stopped
in front of number twelve – his home. In the garden, he saw a couple
talking with the gardener. Ken leaned over the garden wall, introduced
himself, and asked if he could look inside his old boyhood home. The
couple frowned, turned their backs on him, and walked into the house,
locking the door behind them.
The gardener said, “You’re Ken.”
“Yes.”
“I’m Francisco’s nephew.”
“How wonderful to meet you. But why are they so upset?”
“They think you’ve come back to claim the house.”
Ken laughed. “I just wanted to go inside and look. I thought it might
be very nice.”
“Oh no. People have been wondering when you would return to take
back what is yours.”
“I’ve never considered it mine,” he said.
They walked on through the village and then down to the beach. Nothing
had changed. The wall he and Francisco had built was still there and
still trapping the sand to create a beautiful stretch of beach. Even the
remains of Francisco’s cabin still clung to the cliffs.
They drove to Peniche, the home of their friend, the Count. Even here
Ken was recognized, not so much for himself, but for his father; a saint
according to the owner of a restaurant, who closed the café in celebration
of Ken’s visit and served up a feast for his honoured guests.
Back in Toronto, Ken settled into a routine that was continuously interrupted.
When he was not working on Isumataq he painted canvases
for the gallery and for the financial company’s new collection. His biggest
challenge was that the media liked him too much. They wanted to know
why he was meeting with presidents in Europe; they wanted to know his
plans – what was next? Too much good press was boring so they sought
out the malcontents – those who had accused him of appropriating a
culture that wasn’t his. He needled them until they fired back. He had
come back from his latest Arctic trip with letters from the grandmothers,
written in Inuktitut and translated into English, stating that they not
only approved of his art, but had also asked him expressly to do what he
was doing. The letters were tucked in a file that Ken suspected might be
useful one day.
Bad press was interesting but outrageous press was better. He had
about twenty unfinished paintings, stacked in a corner of the studio, that
he would likely never complete. He spread them out on the floor and
paced between them.
“What are you doing?” Diane asked, poking her head into the studio.

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Still Waters

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excerpt

It snowed during the night, a good two inches which prompted
Cam to say when he came down to breakfast, “Is our skating party
off then? The lake will be covered with snow.”
“Heck, no.” Jeremy slapped butter onto his toast and glanced at
the clock on the kitchen wall. “Some of the guys’ll be out there already
clearing it off. We’d better hurry up and go help them.”
“Really?” Cam pulled a chair out from the table and sat down.
“What do you clear the ice with?”
“We put our skates on and push homemade snow ploughs along
the ice. Someone usually comes with a tractor and pushes the snow
to the side of the lake.” Jeremy helped himself to another dollop of
butter.
Tyne reached across the table and slapped her brother’s hand.
“Enough,” she scolded, thinking she sounded very much like their
dad. More gently she said, “You already have more butter than you
need on one slice of toast. Leave some for Cam.”
Cam grinned as he stirred his coffee. “Leave him alone, big sister.
He’s a growing boy.”
And one who’s used to having butter only when we have company,
Tyne thought. Usually, they had margarine which, until recently, had
been purchased in white unappetizing blocks that had to be mixed
with a capsule of orange colouring. Cam, she was sure, would have
no knowledge of such things. Nor would Morley, of course, since he
had always lived on the farm and had fresh cream and butter year
round.
Why does Morley always have to come to mind, even for the most
mundane things? I’m sure he never thinks about me.
They finished their breakfast and the young men went to their
rooms to change into their outdoor clothes. As Tyne began to clear
the table, her mother appeared at the pantry door, carrying a wicker
picnic basket.
“Leave the dishes, Tyne, and run along. I’ve packed you a little
lunch because I know you won’t think of coming home…

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Wellspring of Love

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“Bobby won’t give you a minute’s anxiety,” Emily said, “and neither
will Katie. I don’t think I can be so confident about that little monkey,
Susie.”
“Strangely enough, Mom, it’s not Susie I’d be worried about, it’s
Katie. She’s sweet and gentle but I also think she may be easily led.
We just pray she’s led in the right ways.”
Millie put her needles and unfinished sock on the coffee table in
front of her. “As far as you and Morley are concerned, she will be.” She
started to rise but sat back quickly with a hand grasping her abdomen.
Tyne sat upright, ready to go to her aunt’s aid. “Are you all right,
Auntie?”
Millie’s face had paled, but she relaxed and forced a smile that
didn’t reach her eyes. “Yes, I think so. Just a stitch in my side. I’m
fine.” She reached for the coffee table, but Tyne gently touched her
hand.
“Sit for a minute until you feel better. I’ll wash up the tea things.”
She collected their cups and plates and carried them to the kitchen.
As she ran water into the enamel sink, Tyne said a silent prayer
for her aunt. And suddenly she realized there had been something
different about Aunt Millie recently. She didn’t have her usual spark,
and it was obvious she had been losing weight.
Tyne dried the dishes and hung the tea towel over the bar on the
oven door, all the while berating herself for being unaware of changes
in her aunt. Had her nursing skills deteriorated so much that she
didn’t notice something so basic about one of her own family? Where
had her attention been? Was she so absorbed in the children’s needs
that she hadn’t looked beyond them to the senior people in her life?
Maybe it was time she returned to work to brush up on the things
that used to be second nature to her. One thing she knew – from
now on she would spend more time with Aunt Millie than she had in
recent months. And Rachael would have to step up and help with the
twins. And maybe, just maybe, that would also solve the problem of
the amount of time she spent with Lyssa.

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Water in the Wilderness

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excerpt

Tyne did not know what to say. If Morley were here, he would know how to respond to Ruby’s outrageous suggestion. She lowered her head and mouthed a silent prayer. “Oh God, help me say the right things. Give me wisdom, Lord, because I’m scared. I’m scared for Morley because I don’t know what’s happened to him. And I’m scared for these children you have seen fit to bring into our lives. But God, I’m not ready for all this; too much has happened too fast. Please keep Morley safe and send him to me.”
She looked up to find Ruby staring at her. Tyne shook her head. “I can’t give you an answer, Ruby. You know I’ll have to talk to Morley about it.”
Ruby nodded. “Yeah, sure I know. But I also know I can’t take him back, Tyne. I’m just dreaming when I say he has to come home.” She burst into tears.
Tyne jumped to her feet. Crossing to the sofa, she sat down beside the distraught woman and put her arms around her. “Hush, it will be all right, I promise. We’ll work something out.”
In a few minutes Ruby dried her tears and stood up. “I have to see Ronald again before it’s time for my bus. I have to go home tonight.” At the door she turned with a half smile. “Thanks for listening.”
Tyne watched her leave, her thoughts in turmoil. Another promise … she had just made another promise that she didn’t know if she could keep. Her life was spinning out of control. She and Morley had been married for less than half a year when their world was rocked by that first promise she had made the night Lydia Conrad had come to the nurses’ station in Emblem Hospital. As a result of that brief encounter with her patient, she and Morley had known the joy of loving two small children; they had known panic when those children went missing; and they had known the heartache of losing their own unborn child.
And now, Morley was missing after going on a mission of mercy to find the children’s father and bring him to them.
What more do you want of us, God? Tyne cried in her heart. What more do you want us to do?

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Fury of the Wind

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He threw his head back and laughed. But it wasn’t a mirthful
sound. “In Nimkus? That’ll be the day.”
He gulped his coffee, pushed his chair back roughly and went
out. Sarah stared after him, unaware that two tears were sliding
down her cheeks. O
The road to the neighbours proved to be little more than a cow
trail across the adjoining farms. Flicka’s hooves scattered yellow
petals of black-eyed Susans as she trotted over the dry pasture land.
Due to Ben’s warning, Sarah became especially cautious when they
reached the path along the ravine. But she need not have worried,
because Flicka navigated it with a sure-footed gait, and ignored the
brush covered bank that fell away to the gully a hundred feet below.
Only a thin ribbon of murky water was visible at its base, but Ben
said that after a heavy rain it became a gushing river.
Another quarter mile along the path, after rounding a poplar
bluff, Flicka came to a halt at a barbed wire fence that obviously
divided the Fielding and McNeill properties. Sarah dismounted to
open the prairie gate. The farm site was now visible, and she could
see that they were approaching it from the back. A country road ran
close by the front of the two-storied white frame house. The house
itself stood in the shade of a grove of maple trees.
A windmill stood sentinel between the house and the outbuildings,
and Sarah felt a pang of envy when she realized that their
neighbours had electric lighting. This farm seemed a sharp contrast
to the ones she had seen on the road from Nimkus. Every outbuilding,
from the smallest shed to the imposing hip-roofed barn,
sported a dark red coat of paint.
They came to another gate and, as Sarah prepared to dismount,
she saw a man wave to her from where he had been bending over
the engine of a red tractor.
“Hold it,” he called, “I’ll get the gate for you.”
As he walked towards her, closely followed by a brown and white
mongrel dog, Sarah could see that this was not Dave McNeill. Although
tall, he appeared shorter than Dave, and his curly hair was
darker although definitely auburn. But when he grinned up at her
where she sat astride Flicka, she could see the features were …

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Still Waters

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“You mean with tax collectors and sinners,” Tyne had said, tonguein-
cheek.
“Well, I didn’t mean it quite like that,” Morley said, grinning, “but
how can people be saved if they don’t hear the Word? And how will
they hear the Word if no one tells them?”
Morley may not be preaching the Word as he mixed with people
but, Tyne was quite sure, his life and the way he lived it would be a
testimony in itself.
Tyne had spent a troubled week, and it was only because of Aunt
Millie’s persuasive powers that she was here tonight. Since the morning
her dad had dropped the bombshell of Morley’s involvement
with Jennifer Sears, she had been determined not to attend this
meeting. Now she knew why the schoolteacher had suggested a combined
meeting with the Building & Grounds Committee. Although,
Tyne had to admit, Aunt Millie had been receptive to Jennifer’s idea,
so she must have thought it had merit. Unless ….
Why had the schoolteacher’s suggestion appealed to Millie? Had
Jennifer played right into her hands? Without any effort on her part,
had Millie seen the perfect way of getting Tyne and Morley in the
same room together?
Tyne’s thoughts were jumbled. Why would Aunt Millie want to
throw us together again? Doesn’t she know how much it hurt me
when we broke up? And even if she’s entertaining hopes of us getting
back together, can’t she see it’s all so hopeless?
Tyne was jolted from her thoughts when she heard her name spoken.
Startled, and not a little disoriented, she looked up.
“I’m sure you all know my niece, Tyne Milligan,” Millie was saying.
“She came home to look after her father when he had a stroke.” Millie
turned her head to look fondly at Tyne. “Since she’s now a graduate
nurse, I’m sure she’ll be a great asset to our committee.”
There were murmurs of assent around the table, particularly from
the men who had been unaware of Tyne’s involvement. She tried
to avoid looking directly at Morley, but her eyes were drawn to his
face. His look was inscrutable as he said, “Welcome, Tyne. We can
certainly use all the help we can get.”

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Ken Kirkby, A Painter’s Quest for Canada

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or not – it all depends on the environment. I suspect that you haven’t
thought your way through it – and I’m not trying to be rude, or difficult.
Usually, when people come in and ask for something that’s completely
outside their understanding, they, probably, aren’t asking for the right
thing. I’d like to suggest that I come down and make a presentation to
your company, on what I think you’re looking for.”
“You think so?”
“Yes. You don’t seem sure about why you want it, and you’re not sure
about the environment it will be in. I suspect that no matter what I paint
you won’t be happy. Painting what is in someone else’s mind is almost
impossible. So, would you do me the courtesy of letting me come down
and make a presentation, and see if that is what you want?”
“Certainly.”
A few weeks later, Ken walked into the formidable skyscraper in downtown
Toronto and gave the board members his analysis. They wanted a
large painting for the foyer. Fine – he could supply that, but it wouldn’t
be as large as the Reichmann painting. And, it would be the first of several
canvases. A smaller one would hang in the boardroom, and several others
would hang throughout the premises. The preliminary sketches and
drawings would be framed and hung as well. The paintings would tell a
story that would be repeated in a booklet. A six-minute film would also
tell the story, and it would play on a large screen television in the reception
area. When a client arrived for a meeting, he would sit and watch the
movie.
“Now, they have something interesting,” Ken said. “This is something
they have not anticipated seeing, and they realize that you are a lot more
than just what you do. When you meet the client, you tour them around
and show them all the works, and then you sit down and get down to
business. By now, they realize that you are interesting people. You have
things going on other than making money. When your business is concluded
you hand the client a copy of the book – signed by me and your
CEO – as something to take away and remind them of the meeting.”
Ken suggested they take a holiday during the month of August and
turn their offices over to him. When they returned the space would be
transformed – not just because the paintings would be hung. What good
were paintings if the background didn’t complement them? He proposed
changing the furniture to set off his work and painting the walls in appropriate
colours. Everything had to work – it had to be of a piece.
The cost, he said, was irrelevant – the accountants would write the
whole thing off. He thanked them, told them he had to return to his
painting, and left. During the next few days several of the board members
visited his studio. A couple of weeks later they accepted his fee of four
hundred eighty thousand dollars.

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https://www.amazon.com/dp/0981073573

Water in the Wilderness

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Tyne sat on a chair across from her. Several seconds passed in silence. Tyne did not intend to make it easy for the woman.
Finally Ruby said, “I know you’re mad at Bill and me because the kids ran away. I know you didn’t want us to have them in the first place. But we … I did my best for them.”
“Did you?”
Ruby looked up sharply. The fire that Tyne remembered from their encounter in Emblem Hospital had returned to her eyes. “Yeah, I did, no matter what they … what Rachael says.”
Tyne sat forward, her eyes riveted on Ruby’s face. “And was doing your best making Rachael work like a woman in the house? Letting your daughter bully her – even going so far as to mutilate the doll? Telling her that she and Bobby would be sent to an orphanage?” She took a deep breath. “Was that doing your best for her?”
Ruby sat straight, ready to defend herself. “I didn’t know a lot of that stuff until later when Lark told me. And anyway, I can’t see it’s any of your business because they’re not your kids. You’re not even related.”
“No,” Tyne said quietly, “we’re not. But your sister left them in our care, and I promised to look after them for her. And both Morley and I have grown to love them which is what you don’t appear to do, even though they’re your own flesh and blood.”
Ruby’s face turned red and she lowered her head. “I do love them,” she whispered, “an’ I’m sorry about what Lyssa did. I try, but I don’t have any control over her.”
Tyne tried to quell the unexpected twinge of compassion. “Okay Ruby. I’m sure it’s difficult at times. But what about Ronald? You don’t deny his dad beat him?”
Still looking at the floor, Ruby shook her head from side to side. “No, I don’t deny that. Bill is hard on him, always has been.”
“Couldn’t you stop him?”
There was a long pause, during which Tyne became aware that someone stood nearby. She looked up to see a middle-aged woman hesitate in the doorway, then move on when Ruby spoke. “I tried to stop him at first, but he’d turn on me. I couldn’t stand up to him; he’s a big man.”
Tyne felt revulsion. “Did he hit you?”

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Ken Kirkby, A Painter’s Quest for Canada

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His scaffold was built, ladders leaned against the walls, tubes of paint –
by the carton – were stacked in the studio, and alarm clocks ticked beside
his narrow cot. He was ready to begin painting.
I felt very, very much that things had now solidified. This was now a fact,
and for the first time in this entire campaign, I actually knew that I was going
to make it – not only the painting, but also my fight for Nunavut. This
was it. It was now only a matter of physical labour to complete the vision.
There was a different feeling now. The desperation was gone, and there was
only a huge engine driving me. Now, there was only confidence. Now, I had
access to politicians, business people, media – an infrastructure so massive
and on such a personal level that I would be able to get this story through
and by hook or by crook it would come into being.
It occurred to him is his newfound euphoria – “We need to celebrate!”
He announced the “First Brushstroke” party and invitations went out in
the shape of artist’s palettes that hit the desk of every media contact in the
city. Every couple of days a new invitation in a different colour, embossed
with an Inukshuk, went into the mail. He called Keith and told him to
fill a plane with choice Arctic food. Bob Engels, the North’s most famous
bush pilot, volunteered to fly the northern contingent to Toronto. On
an evening in early September 1986, Ken climbed up on a ladder, from
which he made a speech to a roomful of people, and then splashed a giant
brushstroke across the towering, white canvas.
Then he settled into a routine that was to last for almost a year. He
painted the sky for several hours, slept for two hours, went back to work,
and then slept for two hours. As he painted he had a sense that this was
what he was meant to do – to paint on this scale. Every other painting
seemed too small – even the giant canvas that hung at First Canadian
Place was undersized. How could he ever go back to painting something
on a lesser scale? What he really wanted to do was buy Saskatchewan and
paint it from helicopters.
One day a woman, wrapped in a fur coat, swished in on stiletto heels.
She glanced around the studio and waved her arm at some paintings leaning
against the far wall. “I’ll have that one, and that one, and that one.”
“Madam,” Ken said from his perch on the scaffold. “I don’t know who
you are. I suspect you know who I am or you think you do. I would invite
you to go outside, take a walk around, come back in, and say – ‘Good
morning!’”
She took a step back. “Well! I have never been spoken to that way before!”
Ken waved his hand. “Go on! Go. Shoo… Shoo.”
She stalked out, and returned ten minutes later. “Good morning,” she said.

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https://www.amazon.com/dp/0981073573