
excerpt
In any case, she suspects that in recent months he became bored with the
whole techno consumerist thing, because she no longer heard the all-night jingle
of marathon game-play with Doom Wizards of Gorm, he abandoned his
painful experiments with sampling and sequencing old guitar riffs, he now longer
nagged her for a loan to buy a faster modem or a bigger hard drive. And
he’d play the drawling media philosopher over breakfast, displaying a growing
impatience with the digitised world-picture. “The trouble, you see, with Virtual
Reality, Pauline, is that it will all be designed in Tokyo. You’re going to
walk around in a Japanese executive’s dream helmet . . .” She’d ignored such
performances—typical of his late night TV manner, which she’d found so irritating
when she was trying to cope first thing in the morning with lesson plans
and job applications, an overdraft and and mental overdrive. But discs and cartridges
are littered all over the table, the floor, the bed, as if he’d tossed them
away in disdain, packages of memory that had somehow failed him.
His books are stacked on the sagging shelves behind the bed. Many were
actually hers, donated to help him with A levels, like all those Pelicans on sociology
and history. Of course, he never opened them. And he’d only done half
the literature coursework properly, and then perversely he’d concentrated on
a few obscure corners, like symbolism in Yeats, while flippantly trashing
George Eliot or Jane Austen in random bursts of invective, not for any clearcut
ideological reason. Lucas wouldn’t read systematically, he’d rather drift
around CND jumble sales trawling for dog-eared things like Colin Wilson’s
The Outsider or those poems of mad skinny Patti Smith, or coffee-table books
on Salvador Dali.. Here’s Labyrinths by Jorge Luis Borges. ‘These metaphysical
detective stories take the reader through the forking gardens of Time and
Space!’ Forking hell . . .
She sprawls across the bed for a closer look, across crumpled paper tissues,
yellowing vests, that horrible black shirt with eagles on the buttons, his broken
sunglasses . . . She never bought an ex-library copy of The Rosicrucian Mysteries.
Or The Ufo Encyclopedia. And what’s this disintegrating edition of Morning
of the Magicians doing in her flat? A signed copy. ‘Nick Beardsley, London,
1966’. She can hardly bear to touch it.
‘The black tide of occultism.’ That’s what old Daddy Freud called this yuck
stuff. This is a residu, a glistening slug-trail excreted by Nick, and it looks as if
it’s sticking to Lucas. She’d thought she’d got rid of all Nick’s ticky-tacky rubbish.
And here she goes again, hurling it across the room, any moment now
she’ll find some more lurid trash. They’re all the same, stupid schoolboy men.




