fifteen
You multiplied
you overpowered all species
with deceitful
progress
you applied the breaks
what flies
won’t learn of anything else
and what crawls
to stay as is
only you, the almighty
more than any other
searched for the point of Superiority
for allies and Creators
you investigated the sun
and the moon
and all the constellations
excerpt
indeed happened a few years later when the teacher with her
epiphany passed into the sweet embrace of her Lord, only to leave
behind the unhealed scars of ridicule inflicted upon these Indian
girls; scars which they were meant to retain for the rest of their
lives.
Anton’s and Mary’s feelings strengthened as they days
went by and as they had their occasional intimacy when the circumstances
would allow it and when Mary’s psychological state
of mind would cooperate; they felt strongly about their future
which at times they discussed.
“I want us to leave and go someplace far away,” she would
say to Anton.
“I want that too, and I’m certain time will come for it, yet
for now we have a duty to do: what is best for these kids before
we bail out and leave,” Anton would say to her and to which she
never had any objecting word to say. It was enough for her that
she’d have a future with the man she loved and when it would
come together or in which part of the world they might decide to
move she was wholeheartedly willing to give it a chance.
Anton had devoted some of his time to fix his room. He
took all old things out, donated them to the local charity, one’s
leftovers are always someone else’s treasure, as the saying goes;
he also got a couple of gallons of paint and gave his office a fresh
look. He bought a new bed and beddings from the local Hudson’s
Bay store which he transported with his truck to the School and
put it together. He didn’t even ask Father Nicolas whether the
School would cover the expense, he just bought it and with the
new coat of paint the room it looked a lot better than before.
Anton had also developed a very strong friendship with
George the Cretan cook of the School and they often talked of
Anton’s plans which always included Mary and also the fate …
Double
Certainly, it wasn’t I who
jogged along the suburban
houses last night
dominance, security of
four walls, and ambience
with my unbuttoned shirt
like forgotten piety
with my heart surrounded
by the auspices
of the thick darkness
it wasn’t I running like
a dream forgetful of its origin
I wasn’t, but my double
who hid in his bag
old picture of two stars
swimming in a crystal pond
twin faces, glancing at one mirror
as you were coaching me
to hide in your arms and
release my tiredness and
I held the little master key tightly
ready to place in the hole and
open the world like a blooming rose
excerpt
sexual gratification of a bunch of perverts. If this happened to your family,
wouldn’t you want someone to care? Wouldn’t you want someone to
raise a stink? Wouldn’t you want someone to help? That’s all I’m trying
to do. Apparently, to my surprise, it seems this painting was the two by
four needed to apply to the side of your head to get you to pay attention.
My job is to announce to you what has gone on and what continues to
go on. I’m robbing you of your innocence. I’m not going to give you the
chance to say, ‘If only I had known’. Now you know. What are you going
to do about it?”
The mood of the public changed. People began calling to agree with
him. Battle lines were drawn and half – or perhaps even the magic fiftyone
percent – agreed with him.
Ken spent an hour or more each day, at the Columbus Centre, talking
to people who lined up to see the painting and talk to the artist. Thousands
of people came – far more than had attended his opening night.
Ken finished each of his stories with a plea for help. He urged people
not to simply believe his stories, but to investigate and make up their own
minds. And if they discovered that what he said was true, let the government
know how they felt. This was what democracy was about – and he
was appalled at how lightly most people took the democracy they lived in.
“No one that is born here really takes it seriously,” he told them. “Do you
know how many rivers of blood were spilled to have what we have here?
How can we pretend to be this thing that we say we are when you can’t
bother to inform yourselves about what goes on in your own country?
How can you be a nation without knowing what goes on in your own
backyard?”
Ken received a phone call from Wayne Morrison, the executive director
of the Friends of Canadian Broadcasting and the stepson of Northrop
Frye. Could they meet, he asked? Ken invited him to the studio.
Wayne was a dapper and polished gentleman who expressed fascination
with the furor caused by the flag painting. The CBC was about to
suffer large financial cuts, which would seriously endanger its existence,
he said, and he wanted Ken’s help. He wanted to reproduce the flag painting
in full page magazine advertisements with Ken standing beside it
holding a paintbrush with the quote, “I haven’t been this mad in twenty
years.” Below that would be the story of the CBC cutbacks.
Ken said yes, but he was not prepared to use the painting. He would
create another similar one instead. When Diane asked why, he said, “I’m
going to give it to Canada and I don’t want it reproduced. It’s going to go
to the country pure.”
“You’re going to give it away? Good lord, we don’t have enough money to
do what we’re doing and you’re going to give paintings away! Why are you
going to give something to the government? They already take too much!”
Manolis Aligizakis 