Yannis Ritsos – Poems, Volume III

14th of November
As we focus our eyes to notice a difference
among the pieces of day, we don’t know how to get
a hold of ourselves, we miss the shape, the hour, colors,
faces. We only listen carefully so that we might
discern a sound that confirms the passing of time,
so we can reverse the performance, box, broom handle,
name, the dice that roll on the table,
the limping wind that stumbles onto the barbwire
the fork that hits the plate and its sound that continues
internally.
Otherwise a circle without a center remains, a whirl
in the air with no movement but its own;
it can’t become a car tire that crosses a forest
and if once it becomes a square
it’s not a window through which you look at the world
or the three lined carpentries in an unfamiliar
neighborhood,
but only the relativity of straight lines, the analogy of corners,
boring, very boring things. A mathematician and
an astronomer could create something concrete and
clear out of all these.
I can’t. Yet I always liked the Observatories; the dark
stairway, the clock, the telescope, those photographs
of stars in homely positions: Orion without his sword,
with no underwear, Verenice with her many freckles,
unwashed, frumpy, a whole urban kitchen
transferred to a metaphysical location, boiling cups,
jugs, casseroles, the grater, salt cellar, baking tins,
white spots, a bit of steam hanging onto the smoked
walls of the night.
Someone was talking of numbers and more numbers,
light-eons, leagues and leagues. I wasn’t listening.
Today a friend was telling me that when he was thirteen
he was selling oranges and lemons in Piraeus;
he also had a young Armenian friend who was selling
socks. During the summer afternoons they’d meet in the
harbour behind a pile of sacks, where they’d put down
their baskets and read poems; then they’d eat a sesame
bread ring and an orange and gaze at the sea, the jumping
fish, the foreign ships.
From today I also have a friend who smells of orange
and harbour. He keeps many evening whistles of ships
in his pockets. I see the movement of the big finger
of the big harbour clock on his hands. From today on,
I’ll love him, I’ll unbutton one of his coat buttons.
Now I think of going to find his young Armenian friend
to find a basket with socks on the road, to cry out, socks,
beautiful socks, cheap socks. At noon, I’m sure I’ll find
the Armenian youth behind the sacks, I’ll get to know him;
he’ll recognize me since we both have the traces of our
common friend’s eyes on the lips. If I missed that
basket with the socks and the one with the lemons I
wouldn’t know how to fill my day, my words,
my silence.
Yet I believe every comrade wishes to have such a basket,
only that I don’t know where to find it and I get angry and
I search.

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Yannis Ritsos – Poems, Volume II

A Little Sleep
The distant voice of the lottery vendor. The swaying of the tree.
A canteen steadied in the sand.
The west is burning. A purple reflection over the seashore.
The few houses painted crimson, silence and sundown.
You have a summer handkerchief in your pocket,
a sorrow you left behind on the ledge
like the ripped shoe of the spring that was left on
the rock
when the last group grabbed three meters of sea
and left stooping among the tents of the wind.
How fast the sun goes down in your eyes;
your coat is already smelling of moist,
you put your hands in your gloves like the trees
get in the clouds.
Where the tempest stops your glance is re-ignited
where the sky ends your song and your whole face
are reborn.
There is a yellow star in your silence
like a small daisy on the side table of the sick man
a little warmth on every yellow leaf that turns
the pages of time backward.
It is enough that you know. The other communication
doesn’t end at midnight.
The line is continued from deep inside and from afar
with a few stops, interruptions, accidents,
it continues
and autumn finds shelter on the railings of the station
or the fence wall of the Orphanage,
it listens to the call for silence on the damp roofs and
to the gramophone of the seashore bar,
that the moon turns,
a scratched vinyl, a very old tango. No one dances.
But you, turning the moon to its other side,
beyond midnight, further from the ledge,
you listen to the great music while you saunter
in the harbour with the twelve boat masts
like a speechless restaurant server who cleans
the autumnal tables
folding carefully the napkins of the night,
gathering the stack of plates with the leftover
fish bones.
The sea and the songs continue.
All these that the locked people left outside
belong to us:
the hurrah of the wind in the darkened rooms,
the music that descends in big waves and hits
the window shutters,
the silence that opens its purse and looks at itself
in her square little mirror,
and the woman who wraps herself with the army blanket
and sleeps next to her bag
and you too, as you light your cigarette with a star
over the calm plain of your soul
like the guard who stays vigil over the sleeping soldiers
and thinks of his woman
of the sea
the city with the flags
the trumpets
the sun-dust and the glory of men.
And next to you, you know it,
this big smile
like the circular alarm clock next to the asleep worker.
It’s time to sleep a little. Don’t be afraid.
The clock is properly wound up. It’ll get you up on time
with the bucket of dawn that draws water from the well,
with the crawl of a proclamation that noiselessly sheds
light under the door of your silence. Be assured.
It’ll wake you up.

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https://www.amazon.com/dp/B0851M9LTV

Hours of the Stars

Sirius
We saw her unfold the spin wheel of time
opposite the wind
and the pashas we saw
the beak of day touching her sun tied
on the iron stake of a rock and the eagle
coupled her sides. There she armed herself
while each of her gods stood forty yards high and
started talking to children and geraniums
at times even men got teary. Then you would think
they tossed barley into the fire or dice
on the chess of virgin Mary as
time takes away time and brings back
her sea-kerchiefs and the vigils of the north wind.
Time unfurls the flutes of colors and
the blouses of girls that into their eyes
convoys of birds and flowers travel.
At the lower levels the olive tree leaves
embitter us and at the higher level
pines breath signals a shiver
of guilt sprouting on her skin and platoons
of cypresses climb up the hill
as the hours start to blaze she offers
atonement libations to the fair weather; she assumes
the ephebe July and establishes the new crops like Aeneias
white horses thresh Logos and the golden plains
from end to end
fever spreads into her veins for hours and hours
like weather does to grapevines
that the performance of a group of disorder
appears straight by the edge of the precipice.
The hours stagger on their red heels and on their faces
intensifies the blushing aroused by their hearing
focused on the far away when silence
announces inexplicable oracles and
truth demands ransom as
years go by she becomes an orphan and
hangs over the waters when she seeks to
blindly attach herself onto something as
the camel driver gets fooled by the mirage
of the desert and assumes seeing far away
the sword of Alexander the Great pushed
into the scabbard of the Dead Sea.
We saw her floating over waters and ruins
like a big star when the mermaid
rejoiced in tearing up the forgetfulness
of the sea floor and during the night
Glaucus fought against the hours striking
them one by one over the castle of Astropalia
and the bell of Virgin Mary.

https://www.amazon.com/dp/1926763408