Tag: inuits

Ken Kirkby, A Painter’s Quest for Canada

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excerpt

The day before the exhibit, he helped hang the paintings;
only one in each room of the gallery. Opening night resembled a Hollywood
premier. People gathered in the street and, when a chauffeur
driven limousine drew up to the curb, the media descended. Ken parted
the crowd and opened the door, guiding the Duchess into the gallery. The
crowd inside fell back as though God himself had made an entrance.
Ken led her through the rooms, telling the stories of the Canadian
North. She nodded, smiled, listened attentively, and left as quickly as she
had come. Forty-five minutes later every painting wore a sold sticker.
Ken extended his stay, in order to accept all the invitations he was besieged
with. He had been in Madrid for six weeks, when his father called.
“You must come home right away.”
“What happened?”
“Just, come home immediately. It looks like the trust company has
gone under.”
He flew home the next day and took a cab directly to his father’s apartment,
where he found him more agitated than Ken had ever known him
to be. “This is real trouble,” he said. “We tried to get into the office and it’s
locked – the locks have been changed and nobody is there.”
In his own office, he discovered several key files missing. He arranged
a meeting with other clients of the trust company. There were rumours.
Some said the company principal had moved to the Fraser Valley, where
he had set up an Arabian horse farm and purchased a Rolls-Royce. Others
said he had simply vanished without a trace.
Ken called the RCMP commercial crime division and drove to the station
with his father. The officer explained that the department was aware
of the issue. “It’s a complicated mess,” he said. “We’re going to have to
investigate you and your activities, the same as everyone else.”
The police found many of the missing files but not a trace of the company
president and CEO. Rumours continued to circulate. One claimed
that the head of the trust company had had nothing to do with the missing
funds. It was Ken Kirkby. He was crazy, and smart, and out of the
country when disaster struck. He was the one who had masterminded the
plot. The media ran with it and reporters parked their cars and vans in
front of his house waiting for one glimpse – to take just one picture with a
telephoto lens. Two professional hockey players, convinced that Ken had
taken their money, filed a lawsuit. The judge threw it out of court. Ken
threw himself into the investigation, working with the police day after
day to piece together what had happened.
The RCMP interviewed the victims of the fraud and examined the
documents. Sorting through his own papers became a full time job, and
there were many times he gave up all hope of making sense of them.
His greater despair was the loss of his friends.

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Ken Kirkby, A Painter’s Quest for Canada

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excerpt

There is a deep hunger to have the sunshine of their former
homes, and of their great-grandparents’ former homes. There are these
stories that persist about how wonderful life was, and how sunny it was,
and how warm it was. But, with the exception of this little coastal strip,
this is a very cold country. You’re trying to give paintings of vast, distant
places that are freezing cold, to Canadians. Why would anyone, with the
psyche I’ve described, even think of buying one? They won’t even come
out to look at them.”
“Well, Jesus!”
“Go ahead – break my argument.”
“What else about these paintings then?
“One word – pretty. The Canadian art scene is almost non-existent,
but what passes for imagery in the public mind at large is pretty. Doreen!
Doreen! Bring some magazines!”
Fraser grabbed the top one, from the stack Doreen delivered, and
opened it at random. He turned two pages and pointed. “Look – here’s an
ad – it’s perfect. Isn’t that a pretty photograph? Do you notice that it has
a white, sandy beach, a scantily clad couple, and palm trees? People work
very, very hard to make money, so they can save some up and go to that
place – and it’s very pretty. That’s what is in their minds. You and I are the
children and grandchildren of peasants, and we have their tastes.”
Fraser reached into his pack of cigarettes, pulled out a fresh one, and lit
it from the butt that had almost burned down to his fingertips.
“It’s taken Europe an eon to get to its appreciation of art. You’re expecting
too much, too quickly.”
“But, if we don’t push we won’t get anywhere,” Ken said.
“It’s not just a matter of pushing the public. We have to find individuals
who will get behind this. It’s not just good old Alex and Ken who are
going to go and foist this on the country. It’s a much bigger story.”
Ken left the gallery deep in thought. Yes, there was truth in what Fraser
had said but it wasn’t the whole truth. Canada was ready for his paintings.
The Group of Seven was proof. Fraser thought they were rubbish too. If
he wanted to tell his story through his paintings, it wouldn’t be with Alex
Fraser by his side.
Unexpectedly, Ken received a letter from his Aunt Vicki in Madrid. She
had taken the photographs he had sent her, of his latest paintings, and
shown them to a popular gallery owner who wanted to exhibit them.
He tapped the note against his desk, read it again, and picked up a
pen. He wrote a letter to Mr. McEachern, the Minister of Foreign Affairs,
describing his good fortune in coming to Canada, and telling him how
he had arrived in this country. He wrote about his art and said that he
wished to go back to Europe for an exhibition in Madrid.

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Ken Kirkby, A Painter’s Quest for Canada

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excerpt

While he studied, he periodically found himself distracted by the
thought of the one art gallery in Vancouver he had not approached with
his paintings – the Alex Fraser Gallery. Stories of Alex Fraser, and his
treatment of artists in his London and Vancouver galleries, had circulated
through the art community for years. Ken was angry with himself. He
was rarely afraid of anyone and had met no one in Canada yet who had
intimidated him. Alex Fraser’s reputation did.
He had heard that the man was irascible – so what? He had heard he
was powerful. Was it in his power to judge his work? What if he found it
wanting?
The only thing worse than his fear was the prospect of his disappointment
in himself if he refused to face it, so one day he screwed up his
courage, loaded his truck with paintings, and drove to 41st Avenue near
Boulevard in Kerrisdale.
He walked into the gallery, where an attractive middle-aged woman
asked if she could help him.
“Yes, I’m here to see Mr. Fraser if he’s about.”
“Mr. Fraser doesn’t see people without an appointment.”
“Oh, that’s a shame. I’m here and I have some paintings. Please, can
you ask if he’ll see me?”
She smiled and walked into a back room. A few minutes later, a small
man with slicked-back hair and icy, blue-green eyes walked out. He was
dressed in a perfectly fitted gray pinstriped suit, with knife pleats in the
trousers and shoes that shone like mirrors.
Exhaling a great puff of smoke, he lowered himself into a big armchair,
and placed two packages of Players unfiltered cigarettes and an ashtray
on the little gate-legged table beside it. Taking a fresh cigarette from one
of the packages, he lit it from the one in his yellowed fingers, and crushed
the stub in the ashtray.
Turning to the woman who had followed him out of the back room he
called, “Doreen! Doreen, I want you to tell the young man about manners.
Ask him does he understand the meaning of manners?”
“Mr. Fraser would like to know if you understand the meaning of manners,”
she said, turning to Ken.
“Indeed I do,” Ken said. “And I apologize for coming in without an appointment
but I was nervous and I managed to screw up all my courage
to come in – and here I am.”
“Doreen! Doreen, tell him he is quite right to be nervous in approaching
me. Ask him what it is that he wants.”
“I have some paintings and would like to show them to Mr. Fraser.”
“Tell the young man that I can’t bloody see his paintings, anywhere.
Where are his paintings?”

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Ken Kirkby, A Painter’s Quest for Canada

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Excerpt

One day the dogs heralded the arrival of a new family. They staggered
into camp with barely enough dogs to pull the sleighs. The animals’ ribs
stood out through their fur, and they lay down exhausted, their eyes
glazed. The people had to be helped from their sleds. Inside the big igloo,
they explained that they had come from far away and had left most of
their people behind. They had not found caribou this season and had run
out of food. They had no seal oil for heat. They were dying.
One young man’s toes were badly frostbitten. The elders determined
that they would have to be removed to prevent gangrene, a common condition
in the North where blood circulation to the extremities slowed.
There was no hospital – not even a doctor. The old woman said she
would select the person to perform the operation, but the young man
said he would do it himself.
The old woman stopped Ken as he turned to leave. “No,” she said.
“Kabluna wants to go everywhere and experience everything. This is part
of everything.”
The young man honed a knife and with immense concentration and
deliberation, selected the correct place to amputate the toes. One by one,
he sawed through flesh, sinew, and bone. He did not complain, cry, or
moan, taking the same impassive, measured care that he would if he had
been skinning an animal.
It shocked me. How can someone do that in that way and not fall into
paroxysms of agony? And I knew I had something to learn. I had to investigate
what pain was and how it was dealt with. I knew these people were not
superhuman but their understanding of humanness was very different from
mine and it probably came from eons of living in that environment.
These things set me on a very different track in my own head. They led me
to deal with our concepts of possible/impossible, difficult/not difficult and
so on. Nature is neither good nor bad. Nature is neither kind nor unkind.
Nature simply is. Possible and impossible are things of the imagination –
just as the pain is in our imagination. And seeing as we don’t know enough
to make these judgments, we shouldn’t even consider worrying about them.
If there is something in you to be done that is powerful then you set about
doing it and you take out all the imaginings of the dark monsters you might
meet on the road ahead. They may, in fact, never materialize. These concepts
were the golden door through which I walked toward a completely different
understanding, an understanding that has made it much more difficult for
me to live in our culture.
A council was held to decide the fate of those who had been left behind
to starve to death. Four dog sleighs were loaded with food, blankets, and
other necessities, and when it seemed that Ken was to be left behind…

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Ken Kirkby, A Painter’s Quest for Canada

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Excerpt

distance away observing him. When they saw that he had noticed them,
they came to sit beside him. The man said, “My mother says you are a
very quiet Kabluna.”
“Maybe all Kablunat are quiet,” he said.
The man translated for his mother and said, “She says that all other
Kablunat that she has known are noisy. They talk a lot.”
“Maybe I don’t have much to say,” he replied. “Maybe I don’t know
very much.”
When Ken questioned the old woman about the Inuksuit she told him
a story that began a long, long time ago when there were very few human
beings. They travelled over the vast land in small family groups, following
the herds of caribou that were the source of their food, their tents,
their clothing, and their utensils. They could not afford to deplete their
energy by chasing the food. Instead, they made stone human beings and
called them Inukshuk, which means, like a person or acting in the place
of a person.
The people placed the Inuksuit in V-shaped formations. The caribou
with their poor eyesight, thought the Inuksuit were hunters and so it required
only a very few people to herd them into a trap. The closer they
came to the end of the V, the closer together the Inuksuit were placed.
At the point of the V, hunters hid behind boulders while women
and children lay on the ground beside the Inuksuit. As the caribou approached,
the women and children jumped up, waved their arms, and
danced about, to give the appearance of many, many hunters. The caribou
would then stampede to the end of the V, which was usually at the
junction of a lake and a river. When the caribou plunged into the lake,
the hunters hidden behind the boulders would jump into their kayaks
and paddle after them, spearing them in the water. Then they would haul
them back to shore where the entire family, even the children, would
clean and gut the animals.
Inuksuit also took on many other shapes, the old woman said. The one
on the river’s edge where they were sitting was a fishing Inukshuk. She
knew this because it was topped with a smooth stone taken from the riverbed.
It indicted that the fishing was good here. Other shapes had other
meanings and the configurations of Inuksuit had meaning also.
To my mind, what I was hearing sounded like language but they didn’t
write the language on a piece of paper – they wrote it directly on the land.
And I was beginning to get the picture of absolute practicality. Here you
could live with minimum technology if you knew how. To think that you
could direct an entire way of life by putting a few stones together just so,
so that other people coming would be able to read the significance of these
things. The degree of sophistication of this began to seep into me and I realized
there was much to learn here. And this way of life was like the people

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Ken Kirkby, A Painter’s Quest for Canada

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Excerpt

back to camp, where he presented them to the old woman. She nodded
and smiled, laying them out in a row and then producing a half-moon
shaped object made of iron. Pointing to it she said, “Ulu.”
“Ulu,” Ken repeated.
Deftly, she skinned the animals with the homemade knife and cut
them into sections. Another woman shuffled over carrying a large pot
into which they placed the meat.
And everything was unspoken. This was a world in which each person
knew what to do. You didn’t; have to chatter about it. It seemed you only
talked if there was something really important that needed to be said. There
was something very appealing about that. I wondered how much of what we
talked about was utter nonsense.
Ken asked the hunter about the silence.
“No, we don’t talk much,” he said.
“How did you learn English?” Ken asked.
“Hospital.”
“Hospital?”
“TB. I was in the hospital.”
After a long silence he said. “Good rifle.”
Ken nodded.
“Too expensive,” he said. “The bullets – too expensive.”
“Twenty-twos are cheaper?”
“Yes.”
“Where do you get them?”
“It’s very hard to get them.”
“Do they sell them in the village across the river?”
“Yes.”
“So why don’t we go over there?”
The man didn’t answer.
“I can go over there,” Ken suggested.
“Good idea,” the man said.
“Would you like me to go over there?”
“Yes.”
“How do I cross the river?”
The man walked to a clump of willows, growing waist high on the
riverbank, where a big freighter canoe was hidden. Ken shouldered his
backpack, tucked a wad of money into his pocket, and climbed into the
canoe. The current carried them swiftly downriver. The man steered with
the tiller and his paddle, angling them toward the opposite shore. On the
bank, they pulled the canoe ashore and dragged it into another clump of
willows. Ken shouldered his pack and walked into town.
The village was a ramshackle collection of caribou hide tents, canvas
tents, and buildings cobbled together from the flotsam and jetsam

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Ken Kirkby, A Painter’s Quest for Canada

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Ken circled around the stone people, which he later learned were called
Inuksuit. Around and around he walked, occasionally reaching out a hand
to touch them in a dazed kind of wonderment and awe. For the first time
in many weeks, his spirit began to lift.
I thought I was quite a well-informed person on a variety of subjects,
given that in my upbringing, acquiring general knowledge was considered
important. General knowledge led you to being a generalist and it’s the generalists
that run the world so you want to have vast amounts of knowledge
in a variety of areas. So, you learn about the pyramids and the sphinx and
Stonehenge and Easter Island and all of that. But here were these strange
human-like figures made of stone that I had never heard of – and at that
point, I started to come out of my stupor. These figures got a hold of me. This
was something that captured my attention in a major way.
He set up his tent some distance from them, thinking perhaps they
were sacred symbols and while he struggled with his tent, he kept glancing
at the stone men, reluctant to look away even for a moment lest he
lose the magic. With his little tent tamed, and his camp set up on the
windy plain, he dug out one of his rolls of paper – from the depths of
his backpack – and began drawing. He rolled the paper farther after each
drawing and began another. He couldn’t stop; he was infused with the
same energy he had felt when he first began drawing, in Portugal, as a
young boy.
When his stomach let him know he was hungry, he walked down to
the river and caught a fish. Cooking was a challenge because there was so
little wood of any kind to burn. He had learned to start a fire with dried
moss and then add bits of shrubbery to get an intense blaze that lasted
mere minutes. He usually managed to cook one side of the fish over the
flame. Then he had to start a fresh fire to cook the other side. In time, he
learned to eat and enjoy raw fish because it was so much simpler.
While camped near the Inuksuit for several days, making drawing after
drawing, he noticed a group of people setting up camp some distance
from him near the river. The people on the west side of the river didn’t
acknowledge these people on the east side, and they in turn did not speak
to the people on the west bank. Ken concluded that these were Eskimos,
the people he had been searching for.
The Eskimos paid no attention to Ken and he did not try to make
contact. Instead, he continued to draw, fish and cook his meals. He was
consciously becoming a silent person and the deeper he fell into the stillness,
the greater the solace he found.
One day a woman with a deeply lined and weathered face carried some
fish and bannock on a flat stone to Ken’s tent, placed it on the ground and
walked back to her camp. Ken ate gratefully. “How shall I respond?” he
wondered.

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