
Excerpt
“Wow!” She applauded wildly when he finished. But he didn’t stop. Ernesto left for a few moments then reappeared quietly with an enormous, half-empty box of chocolates wrapped in brown paper which he offered to her. They were old, mottled with discolouration, probably kept for his infrequent visitors, but she took one and thanked him. He left again hurriedly and this time returned with a saxophone. She settled back to listen again, a Duke Ellington number that she recognized as “C Jam Blues.” Ernesto stepped in for a few riffs on the sax then put the instrument down to take up a chair beside Jennifer and listen to Volodya play. Although he appeared to be studying the keys as he played, she felt him look up every so often, gauging her reaction. Was that simply a performer who loved an audience? Or something deeper, more demanding? She wasn’t sure and felt a slight shiver.
“Are you cold?” Ernesto leaned over to her and offered another chocolate. “Even in summer this room is cool.” Volodya ignored them and continued to play.
“No, thank you. It’s a wonderful room. It was once so elegant, I think.”
“It was the formal dining room for the house when the bourgeoisie lived here. You see how this wall cuts off the rest of the room? When it was whole, the dining room took up 30 square meters of floor space—all for one wealthy family.”
“And was the piano here then, too?” she asked. “It looks old.” Now, she noticed how the black lustre had worn down to a scuff in many places, how the legs were chipped. “You must be the one who keeps it in tune?”
“Yes, I take care of it. It’s also pre-revolutionary.” Here, Ernesto smiled with pride. He might dismiss the ostentatious living quarters of the wealthy, but he obviously cherished their toys. “It’s why I can’t leave the apartment. I won’t leave without it and we can’t fit it through this door.” He laughed out loud and Volodya glanced up and smiled.
“So it sat here all during the revolution and the siege of Leningrad and everything?” she asked. “I’m surprised someone didn’t burn it for firewood during those terrible winters.”
“Someone loved this piano—dearly,” Ernesto replied, then he added sheepishly, “and you know I only let those play who also love the piano. Vlad is a flashy scoundrel, but he loves to play.”

