excerpt
Then he reached to the side, and turned on the
tap of the small bar sink, and filled a pitcher with water. Lastly, he opened
another cupboard, lifted down two tumblers, poured a goodly measure
of whiskey into both, and splashed water into the glasses.
“This is how you and I are going to do business,” he said. “We’re going
to drink.”
‘In the middle of the day?” Ken asked.
“What’s that got to do with anything? We’re going to drink.”
“Why do we have to drink?” Ken eyed the whiskey with revulsion. “My
guess is it’s to do with, ‘get a man drunk and you’ll find out who he is.’”
“Who told you that?”
“My father.”
“I’d like to meet your father.” He took a large swallow. “So, tell me
about yourself.”
Ken told his story, while he watched Fraser drink until the bottle was
empty. He drank a bottle every day, he said, and he was as proud of that
as the fact that he was a one match a day man. He struck a match in the
morning to light his first cigarette, and every subsequent cigarette, for the
rest of the day, was lit from the stub of the last. “It takes discipline to do
that.”
“I want you to come to the gallery two or three days a week. I want to
hear your story. I want you to tell me your feelings, your thoughts, your
understanding of the universe – everything. I want to listen to you. I want
to hear you.”
For several weeks, Ken visited and talked, while Fraser downed a bottle
of rye and smoked an eternal chain of cigarettes. “You have a passion that
is white-hot and I love it,” he said. “We have all these artists around, and
they’re all limp. I want to see a man with a paintbrush in one hand and a
sword in the other. That’s you.”
One day, Ken asked Fraser why he never saw the paintings he sold to
him. “Where do you put them?”
“I’ve sold them.”
“All of them?”
Yes, all of them.”
“Oh my gosh. Well, that’s terrific.”
“You look surprised.”
“I am.”
“That’s not a very nice thing to say to me. Of course, they’re sold. So,
bring me some more. Go and paint.”
“There’s a limit to my speed.”
“I’m sure there is and I want to find it. I suspect the faster you paint the
better you get. You’re thinking too much. Don’t think. Painting isn’t about
thinking. This is not an intellectual exercise.
Manolis Aligizakis 