excerpt
the shop poor Willy had replaced the pagan turmoil of Hrothgar’s Feast with
the blissed-out cooing of George Harrison. Larry grimaced at the music, took
a hit off the joint. As minutes passed he grew into an Easter Island statue, a pitted
mask smitten with sinister benevolence, relishing cosmic absurdities . . .
I wasn’t interested in more drugs. I was cultivating a new yearning—for
comforting fetishes like Turkish rugs or French etchings, or at least quality
post-war British stuff, the old Pye Black Box gramophones, Hornby Trains in
the original blue boxes, I was fed up with bankrupt stock and garage-sale
rejects. And I wanted something with class. Something safe, please. Nothing
too radical.
“It’s not weapons, is it, Larry?”
He passed the joint and began prising open the tea chest with a bent fork.
“Just weird shit. Specially for you.”
The chest contained thick folio-sized notebooks, bulging box files, a crumpled
set of plans or blueprints, and half a dozen books in uniform bindings,
ex-lib, half-calf and purple clo, gilt lttr, top edge gilt, gilt device on sp, approx 200 pp,
frnt brds sl warped and stained, torn frontis in Vol I, some neat inscr, otherwise v good,
ideal for a proper bookseller with a catalogue, not my Surprise Book Bins.
“They’ve been in storage for years . . .” Larry sniffed defensively. A yellowed
newspaper cutting fell out. ‘Fears of Red Atom Bombs’.
He told me he’d acquired this heap of forties memorabilia as payment for
some dope. I asked him which clients usually paid in waste paper.
Larry looked uneasy. He liked to keep the different strata of his life separate.
“A photographer that my gorgeous creature did some work for. A young
guy. But ugly, thank God. She says he snuffles while he’s setting up the poses.
Like a great rat . . .” He sucked the joint and giggled. “He’s heavily into cuisine
and wine. I guess he can’t perform vintage sex.”
Despite the dope I was getting impatient. I might raise something on tomes
with fancy bindings, but as for wartime diaries, old blueprints—I inquired as to
where the stuff originated.
“Some old attic, south of the river. Like Norwood, or Streatham Common.
ForGod’s sake, Nick, I only went there once. One of those high old houses with
stained glass in the porch window. A Victorian rose-window with cruciform
panels . . .” He exhaled slowly,seemingly bemused by the sudden emergence of
this elegant adjective.
“I suppose there aren’t any pieces from the windows in that trunk?” I was
seized with entrepreneurial glee at discovering yet another way of repackaging
splinters of the past, little sunset glints of nostalgia for an already uneasy seventies.
“Too late. His gaffer was tearing the place apart, converting it into a shop
Manolis Aligizakis 