excerpt
“I mean no disrespect, whatsoever,” Ken said. “I know the symbol well.
But that is the wall.”
Albert exchanged a few words with Leon and then nodded. The painting
would go on that wall. Then Ken and Leon tackled the problem of
hanging the massive painting on a marble wall. The maintenance staff
concluded they would have to drill into the ceiling beams and suspend
the painting from thin stainless steel wires.
They hung the painting after business hours. Ken invited the media.
He had the panels delivered to the lobby where he bolted them together.
Salvador and his staff came along to help. Many members of the young
professionals group also arrived on the scene. The media asked how much
the painting had sold for. “No comment,” Ken said.
“Was it a lot of money?”
“No comment.”
“How did you contact Mr. Reichmann?”
“No comment.”
“You’re an artist,” one of them said. “How do you know how to do
all these other things? Artists don’t know how to be entrepreneurs. Who
helps you?”
“That’s a big question,” Ken said. “It’s a spiritual matter. I don’t wish
to discuss it.”
“What do you mean it’s a spiritual matter?”
“Just that. I get my knowledge, inspiration, and advice from a higher
authority and beyond that, I don’t want to discuss it. But, I will say one
thing – my advisor is Mr. Albert Reichmann.”
“Yes,” Albert said, when a reporter asked. “I am honoured to be Mr.
Kirkby’s advisor. He is doing wonderful work.”
Those few words gave Ken the credibility he’d been looking for. He had
achieved what his father had always had – the power to command respect
and attention wherever he went.
Later that night, when he was one of the last to leave, he paused to look
at the painting that he had envisioned hanging in that space so many
times. It looked exactly as he had imagined. It was in perfect proportion
to the immense lobby. It wasn’t until one walked closer to it that one felt
the full impact of its size.
His greatest debt was to Salvador, who had arranged the meeting, but
when he told him that he wanted to give him several paintings, he refused.
Ken painted several canvases regardless and delivered them to his home.
Before getting back to the task of Isumataq, Ken returned to the Arctic.
Keith Sharp, the burly Englishman, had moved to a parcel of land near
Rankin Inlet and extended an invitation. Ken included Michael as well as
Avril the photographer, and Roberto and Egidio, the filmmakers, in his
entourage; in mid-July, the somewhat motley crew – loaded down with…
Manolis Aligizakis 