Cretan Canadian Poet, Author, Translator, Publisher
Author: vequinox
BIOGRAPHY
Manolis (Emmanuel Aligizakis) is a Greek-Canadian poet and author. He was recently appointed an honorary instructor and fellow of the International Arts Academy, and awarded a Master’s for the Arts in Literature. He is recognized for his ability to convey images and thoughts in a rich and evocative way that tugs at something deep within the reader. Born in the village of Kolibari on the island of Crete in 1947, he moved with his family at a young age to Thessaloniki and then to Athens, where he received his Bachelor of Arts in Political Sciences from the Panteion University of Athens. After graduation, he served in the armed forces for two years and emigrated to Vancouver in 1973, where he worked as an iron worker, train labourer, taxi driver, and stock broker, and studied English Literature at Simon Fraser University. He has written three novels and numerous collections of poetry, which are steadily being released as published works. His articles, poems and short stories in both Greek and English have appeared in various magazines and newspapers in Canada, United States, Sweden, Hungary, Slovakia, Romania, Australia, and Greece. His poetry has been translated into Spanish, Romanian, Swedish, German, Hungarian languages and has been published in book form or in magazines in various countries. He now lives in White Rock, where he spends his time writing, gardening, traveling, and heading Libros Libertad, an unorthodox and independent publishing company which he founded in 2006 with the mission of publishing literary books. His translation book “George Seferis-Collected Poems” was shortlisted for the Greek National Literary Awards the highest literary recognition of Greece.
Distinguished Awards
Winner of the Dr. Asha Bhargava Memorial Award, Writers International Network Canada, 2014
“George Seferis-Collected Poems” translated by Manolis, shortlisted for the Greek National Literary Awards, translation category.
1st International Poetry Prize for his translation of “George Seferis-Collected Poems”, 2013
Master of the Arts in Literature, International Arts Academy, 2013
1st Prize for poetry, 7th Volos poetry Competition, 2012
Honorary instructor and fellow, International Arts Academy, 2012
2nd Prize for short story, Interartia festival, 2012
2nd Prize for Poetry, Interartia Festival, 2012
2nd Prize for poetry, Interartia Festival, 2011
3rd prize for short stories, Interartia Festival, 2011
Books by Manolis
Autumn Leaves, poetry, Ekstasis Editions, 2014
Übermensch/Υπεράνθρωπος, poetry, Ekstasis Editions, 2013
Mythography, paintings and poetry, Libros Libertad, 2012
Nostos and Algos, poetry, Ekstasis Editions, 2012
Vortex, poetry, Libros Libertad, 2011
The Circle, novel, Libros Libertad, 2011
Vernal Equinox, poetry, Ekstasis Editions, 2011
Opera Bufa, poetry, Libros Libertad, 2010
Vespers, poetry by Manolis paintings by Ken Kirkby, Libros Libertad, 2010
Triptych, poetry, Ekstasis Editions, 2010
Nuances, poetry, Ekstasis Editions, 2009
Rendition, poetry, Libros Libertad, 2009
Impulses, poetry, Libros Libertad, 2009
Troglodytes, poetry, Libros Libertad, 2008
Petros Spathis, novel, Libros Libertad, 2008
El Greco, poetry, Libros Libertad, 2007
Path of Thorns, poetry, Libros Libertad, 2006
Footprints in Sandstone, poetry, Authorhouse, Bloomington, Indiana, 2006
The Orphans - an Anthology, poetry, Authorhouse, Bloomington, Indiana, 2005
Translations by Manolis
Idolaters, a novel by Joanna Frangia, Libros Libertad, 2014
Tasos Livaditis-Selected Poems, Libros Libertad, 2014
Yannis Ritsos-Selected Poems, Ekstasis Editions, 2013
Cloe and Alexandra-Selected Poems, Libros Libertad, 2013
George Seferis-Collected Poems, Libros Libertad, 2012
Yannis Ritsos-Poems, Libros Libertad, 2010
Constantine P. Cafavy - Poems, Libros Libertad, 2008
Cavafy-Selected Poems, Ekstasis Editions, 2011
Books in other languages
Eszmelet, (Hungarian), poetry by Manolis Aligizakis, translated into Hungarian by Karoly Csiby, AB-ART, Bratislava, Slovakia, 2014
Hierodoules, (Greek), poetry, Sexpirikon, Salonica, Greece, 2014
Yperanthropos,(Greek), poetry, ENEKEN Publications, Salonica, Greece, 2014
Übermensch (German), poetry by Manolis Aligizakis, translated into German by Eniko Thiele Csekei, WINDROSE, Austria, 2014
Nostos si Algos, (Romanian) poetry by Manolis Aligizakis, translated into Romanian by Lucia Gorea, DELLART, Cluj-Napoca, Romania, 2013
Tolmires Anatasis, (Greek) poetry, GAVRIILIDIS EDITIONS, Athens, Greece, 2013
Filloroes, (Greek ) poetry, ENEKEN PUBLICATIONS, Thessaloniki, Greece, 2013
Earini Isimeria, (Greek) poetry, ENEKEN PUBLICATIONS, Thessaloniki, Greece, 2011
Stratis o Roukounas, (Greek) novel, MAVRIDIS EDITIONS, Athens, Greece, 1981
Magazines
Canadian Fiction Magazine—Victoria, BC
Pacific Rim Review of Books—Victoria, BC
Canadian Poetry Review—Victoria, BC
Monday Poem, Leaf Press-Lantzville, BC
The Broadkill Review, Milton, Delaware
Ekeken, Thessaloniki, Greece
Envolimon, Beotia, Greece
Annual Literary Review, Athens, Greece
Stigmes, Crete, Greece
Apodimi Krites, Crete, Greece
Patris, Crete, Greece
Nyxta-Mera, Chania, Greece
Wallflowers, Thessaloniki, Greece
Diasporic Literature Spot, Melbourne, Australia
Black Sheep Dances, California, USA
Diasporic Literature Magazine, Melbourne, Australia
Spotlight on the Arts, Surrey, BC
Barnwood, International Poetry Magazine, Seattle, USA
Unrorean, University of Maine, Farmington, Maine, USA
Vakhikon, Athens, Greece
Paremvasi, Kozani, Greece
Szoros Ko, Bratislava, Slovakia
Mediterranean Poetry, Sweden
Apostaktirio, Athens, Greece
Life and Art, Athens, Greece
Logos and Images, Athens, Greece
Contemporary Writers and Thinkers, Athens, Greece
Palinodiae, Athens, Greece
Royal City Poet’s Anthology, 2013, New Westminster, BC, Canada
To parathyro, Paris, France
Ragazine C.C, New Jersey
Artenistas, Athens Greece
Deucalion the Thessalos, Greece.
Literary Lectern, Athens, Greece
Homo Universalis, Athens Greece
Love and geraniums will bloom again in small windows by the shore and a young Jesus will come take us by the hand where we’ll play under the lilacs until twilight with storks sea breezes and sun And when evening comes we shall jump in the white caiques and with the nets of sad biblical fishermen we shall catch a watery moon to lie down peacefully with it so that it lights our sleep with silent angels who haven’t yet learned to laugh or cry but to only smile in the dream of the unborn Creation Islands with trees silent during evening vespers where peaceful doves fall silent there we fall silent gathering the day’s roses while the evening shadow falls on white paper where we incise life next to the seashore We won’t read what we wrote We shall raise our eyes yearning for the galaxy’s waterfall behind the almond tree of a white cloud lingering above the sea The time without hours and repentance has arrived again Azure echo of the light water foggy walk of fishermen on sand
In the moldy garden water reflows from the stony mouth of Poseidon and the undefeated frog gives birth to its new generation over the solemn fossils. Ah, yes sweetness unexpectedly overflows the same way the fountain rises again among its watery suns while my soul, an unprepared squirrel, shades itself with its tail. And as the park becomes slowly alive and the owls stir in their dark offices and the thunderous water dances over the silent rocks of the closed house like a stately residence, my life turns alive again by the talkative waters you pour in my mouth.
VIII Here they are again the two houses we looked at while we listened to music. They leaned on each other like two friends who met after a long separation and were in a hurry to tell it all before they separate again.
In a clear-cut case, the leader of free world said either with us or against us* underlining the war might stored in dark warehouses housing his selected war toys. On the faraway land, opponents blinked their eyes before the economic slavery of the multinationals The devastation of bombs falling smartly to flatten his land a clear-cut case, the leader of free world said Either with us or against us
“What are you going to do?” “If the railroad says there was sabotage, I’ll have my people run a full investigation.” “If they don’t?” “I’ll give the mayor my report.” “And?” Spanger grinned. “Thanks for your help, Paul. See you in court. Or somewhere.” As he passed the checkers players, the old cackler was eyeing his partner across the board. Piles of broken ties, twisted rails and fragments of the blasted tank car bordered Gellardy’s orchard. A section gang was tamping new ties into place. The smell of creosote was heavy in the air. Spanger saw the locomotive upright on the track near the hobo jungle, a section of its cab wall bowed out, a sheet of steel dangling from it. The crane, engine roaring and cables screeching, was beginning to ease the distorted chassis of the tank car out of the depression alongside the track. Spanger walked toward a half dozen men who stood watching. He recognized all but one. As two of them greeted him and moved aside to make room, he saw Poodie James. Poodie looked up and made glottal sounds of greeting. The chief looked from Poodie’s eager face to the blackenedwreckage and back again. “It’s good to see you safe and sound today, Mr. James,” he said. The inspector introduced himself as Lawrence Hall. Spanger made small talk with the group of railroaders, then took the man from Spokane aside. “What have you found so far, Mr. Hall?” “I’ve found a mess, Chief. There are no orderly derailments. I’ll tell you, though, the fire department here did everything right and kept this from becoming a first class disaster. Worst thing, of course, is that we lost a good man. First death in a wreck since I’ve been with the company. The coroner did an autopsy this afternoon at my request and found that Mo d’Aleppo’s heart gave out. Massive failure. I guess the crash triggered it. He’d had a couple of mild …
Rassan points as they pass an inspiring, colossal structure, “There is our new parliament building; it’s only four years old.” “It looks like quite a bit has been accomplished in the years I have been away,” Talal comments. “Yes, it has; the only place that still lags behind is the eastern part of the city. That area will take the longest; that is where the poorest people live. It’s always the same, Talal; they’re the ones who wait the longest. The rest of the city is not too bad. One can say life is getting back to normal; after all, the war ended some years ago.” Emily listens, eager to hear as much about this fascinating place as she can. They arrive at Ibrahim’s at 5:15 p.m. a servant opens the doors of the car after Rassan drives through the big iron gates. They get out, and Talal signals to Emily not to worry about her things, as the servants look after those. They enter the foyer and Emily is left with her mouth half open at the size and grandeur of the mansion. Ibrahim with his wife Mara come to greet them. “Welcome! Welcome to Baghdad,” Ibrahim says, after he kisses Emily’s hand. “This is Mara, my wife. Mara, this is Emily Roberts from Los Angeles; her daughter Jennifer is our son’s sweetheart.” The two women hug and exchange pleasant words. “Welcome to our humble home,” Mara says to Emily, who is in awe at the magnificence surrounding her. Ibrahim hugs Talal and they exchange kisses, as is customary. “Welcome, my dear Talal; howwas your trip?How is my Hakim?” “He’s fine, dear uncle. He sends you and Mara his greetings, hugs and lots of kisses; he’s doing very well. He’s excited about the company he’s taking control of.” Talal gives a brief summary. Emily, who’s hearing for the first time about the control of Hakim’s company, turns to Talal with questioning eyes; he signals her to let it be for now. Mara wants to take them to their room to freshen up and rest for a while before dinner; her servant has already taken their bags upstairs. Rassan says goodbye for now and leaves. Talal stays with Ibrahim as he knows the old man will want to ask more questions, things about Los Angeles and Hakim. They go to the study and Talal relays the message from Bevan and all the other news Hakim wants his uncle to hear. Talal asks, “How are you doing with your health, my dear uncle?” “I’m doing very well, my dear boy. The medication seems to work well, and I haven’t sufferred from any adverse side-effects. Only time will tell how effective the medication is. It’s in the hands of Allah; his wish will take care of me.”
years old, they were taken south and lost to their families as they were given an education that could not be applied to their northern way of life. The soft voice of the Grandmother ended the story by saying, “Perhaps it would be good to have Isumataq.” Isumataq, Ken learned, also meant many things—big, or spokesperson— but the most accurate definition seemed to be “an object or a person in whose presence wisdom might reveal itself.” This was the exact point at which he discovered the meaning of his life in Canada—the unknown purpose for which he’d embarked on this mysterious and gruelling quest. The idea that wisdom was a thing that existed on its own and could only show its value if one was prepared to allow that to happen, was electrifying. I felt a driving urgency to gather as much information as possible—a burning need to disseminate that knowledge to those who could not otherwise experience it for themselves. I had a definable purpose. The time came when the Grandmother took Ken aside. She sat on the floor in front of him and pronounced, “In our mind you are Inuk. You are learning our language and eating our food and you are a part of us. Our wish is that you will stay with us, but you tell us that you have to go back to your world, and that is as it must be. It is our wish that you tell the people in your world of the many things you have seen—all of the things you know.” And that was when Ken made the promise to the Grandmother that would shape, drive and guide him for the next thirty plus years of his life. I felt I was equipped with the knowledge of something unique. The spirit of Isumataq had become a living thing in my heart! And as an artist I had absorbed stunning material at the cellular level. It would never leave me. By his own calculations, Ken spent thirty-one years, several million dollars, ended a marriage and lost numerous friends to his fixation on keeping his promise to bring the story of the desperate plight of these indigenous peoples to the 90% of Canadians who lived, totally unaware, in the southern portion of the nation.
There is a route scheduled by an unknown desire to walk on the stretched rope of existence I must define chaos in space-time, establish the cosmic entropy and the light of love sunken in the shadow of my inexistent before something is missing before I’m ready a crusader of nothing I investigate the eons and the fleshless that lurks in matter the tide of life under the soil the migrating swallow in the eyes of the sad woman they don’t all know how to transform their heart into a sunny day among the icebergs what do I do here in the room of delusions in this cemetery of dreams part of myself already belongs to infinity my soul slowly discards the body it has been some time since I started to forget and to be forgotten
… mother always discovered her most precious movement and stand this way, exactly at the time of its absence — I was always afraid that she would vanish from our eyes, she would better ascend — when she leaned down to tie her sandal that left out her fantastic, painted, cyclamen- nails or when she fixed her hair in front of the big mirror with such a cute movement of her hand, youngish and weightless, as if she erased three or four stars off the forehead of the cosmos, as if she wanted two daisies to kiss each other in front of the fountain, as if she looked at two dogs maternally while they were coupling in the middle of the dusty road during the summer, hot noon. Mother was so simple, strong, imposing, unexplored and convincing.
Take off your iron shirt and all the arms of battle, put on what suits you the victor: the rosy chiton with the satin flowers and diamonds; come dismount your horse, so it too can rest and grace the Polis with your light, oh Sun King, spread your light equally so we won’t be blinded by it. Soon as the hymn from the Venetians ended a new hymn started coming from a faraway corner, a black hymn that swelled like a wave, the tempest’s offspring and it wasn’t hymn but a wailing and a curse, which the Frontiersmen sang. When the Prophet heard it he shivered.