Tag: aurora-borealis

Prairie Roots

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…watched her eat all the things that “were good for us”. Thank
goodness he liked perohy or we may not have acquired the fondness
for them that we did.
In fact, every Friday morning was perohy-making time, since,
as Ukrainian Catholics, we observed the meatless Friday rule.We
were roped into the perohy-making assembly line whenever we
were home from school. It was usually fun, invariably initiated
one or two squabbles about who was or was not doing how much
of what, but also included listening to Mom telling a story or singing
us songs. When she ladled those delicious little creations out
of the hot water into the cooling pot and then onto our platters,
and covered them with melted butter and crisply fried onions, a
morning’s work was known to disappear in short minutes! They
were so good!
I certainly well remember mother’s songs and stories that she
had brought with her from “the old country”. As she worked
away in the kitchen she forever sang those wonderfully sad
Ukrainian soul songs or told us stories of her early life. So many
times the tears would gather in her eyes and we would feel sad
with her, not really knowing what had made her sad in the first
instance. We must have been a comfort to her though, she being
so far from her family and almost certain that she would not see
any of them again. She at least had us to occupy herself with, leaving
her precious little time for self-pity.
I also recall the concerned exchanges between my parents as
World War II ravaged their birth areas and then as communism under
Stalin’s fist tightened its’ vicious grip throughout eastern Europe,
I wonder now what conflicting thoughts they had to endure. Their
life was not easy; however, what little news came through, devastating
as it must have been, would certainly have made them feel
thankful for getting away from that tormented region.

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Fury of the Wind

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“Quite right, my dear, and if you don’t mind me saying so, I wish
you would take that responsibility a little more seriously and keep
the things we hear in confidence to yourself.” Robert Carson folded
his hands, placed them on the desk in front of him, and smiled at
Emily as if to atone for the harshness of his words. “Having said
that,” he continued in a gentler tone, “I will tell you what Ben wanted.
You would have to know in a day or so, anyway. Ben’s getting
married on Friday.”
Emily’s mouth dropped open. She had been about to take offence
at his inference that she was a gossip, but his last words erased every
other thought from her mind. And she certainly paid no heed to his
advice because, within five minutes, she was on the phone to Molly
Andrews, her best friend in Nimkus.
As in most small communities, a class system existed amongst
the residents of Nimkus. The town matrons would have denied it
but the divisions, although very subtle, did exist. There was no doctor
in town, no dentist and no lawyer. For services supplied by these
professionals one had to travel to the neighbouring larger town of
Bradshaw. With the absence of such elite families as these, the responsibility
of maintaining the position of upper crust fell to the
wives of the banker, the minister, the station agent, the town clerk,
the druggist … and on it went.
Had the principal of the three room school on the outskirts of
town been a man, his wife would certainly have been included in
this group. But the principal of Nimkus School happened to be,
and had been for some time, a single woman. Although well regarded
by the parents of the children she taught, Miss Donna Carrington
had no status in town because she had no husband. And a
single woman, no matter how brilliant and ambitious, was secretly
regarded as a nonentity by the town matrons.
Immediately following Ben Fielding’s visit to the vicar, Mrs. Carson
telephoned Mrs. Andrews. The station agent’s wife then called
Jean McKinnon, the banker’s wife. Mrs. McKinnon just happened
to be on her way to do her grocery shopping. And, of course, she let
slip the astounding news she had just heard as soon as she began
to give her grocery order to Mr. Stratton, the owner of Stratton’s…

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Wellspring of Love

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“You’re not eating much, Aunt Millie. Perhaps that’s your trouble.
Don’t you feel hungry?”
Millie had smiled and got up to put preserved peaches and peanut
butter cookies on the table. “Just a result of feeling weary, nothing
more. Don’t worry yourself, dear boy. I’m fine.”
But she had not convinced him, and the thing he had been hoping
to talk to her about – Rachael’s problematic friendship with Lyssa –
had been put off. He knew he couldn’t burden Aunt Millie further,
even if she was, as she said, just tired.
Ronald turned over in bed – again – and looked at his alarm
clock. Almost midnight! He may as well have gone to the dance in
Spirit Lake after all, except that he didn’t have a date. Not that it mattered
much, but his friends were all dating now and he didn’t want to
appear more of an outsider than he already knew he was. Sometimes
those same friends razzed him for not drinking or smoking. He had
tried smoking when he was fourteen but decided he would rather be
an outsider than suffer the choking and coughing that resulted from
his first drag on a cigarette. They also razzed him occasionally for
going to church, especially Morley’s church.
“Holy Rollers,” they would say with disdain. “Hey, Harrison,
what do they do in that church, anyway?”
And more than once Ronald, refusing to be riled or offended, had
answered, “Why don’t you come see for yourselves?”
With the realization that in just a few hours he would be getting
up to go to church, Ronald sighed, settled his head more comfortably
on the pillow and tried to put Aunt Millie, Rachael and every other
thought out of his mind.
ͣͣ
Tyne closed her Bible and placed it on the bedside table, being careful
not to disturb Morley who had been asleep for some time. Rachael
must be due home, but so far Tyne hadn’t heard her come in.

https://draft2digital.com/book/3562917

https://www.amazon.com/dp/1926763327

Ken Kirkby, A Painter’s Quest for Canada

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Ken called and told the story of Isumataq. He offered a painting for the
paper, clinching the deal by telling them that everyone involved in the
project would very likely win an award and be exposed in some way to
massive media coverage. He also threw in some dubious oratory that was
so over the top that many people laughed. “Don’t worry about this moment,”
he said. “One day you’ll be in paradise with me.” If they snickered
behind his back, he didn’t care because by the time he was done he had
bartered for every service he needed – ninety thousand dollars worth. His
friends called the money he had used to pay for the brochure “Ken dollars”
and it was a term that stuck.
Elias Vanvakis, another of the young professionals who was a successful
insurance broker, commissioned a small pencil drawing of an Inukshuk.
“I’ll give it to you,” Ken said.
“No, I want to buy it.”
“Why would you want to buy it?”
“You’re painting the largest Inukshuk – I want the smallest,” he said.
Ken pocketed the five hundred dollars Elias offered and drew an Inukshuk,
which he handed to him. A few weeks later, on Ken’s forty-fifth
birthday, Elias presented him with a small jeweller’s box. Inside was a
small gold pin, a perfect replica of the pencil drawing.
Ken pinned it to his shirt. Minutes later he was struck by an idea. A
larger version of the pin was exactly what the front cover of the brochure
needed – but not in gold paint of even gold leaf – a pure gold Inukshuk.
The pin inspired yet another idea. The nation’s highest honour for its
citizens was The Order of Canada. He wanted something even more prestigious
– an honour that was almost impossible to receive – The Order
of the Inukshuk. He ordered a dozen more from the jeweller who had
designed it.
Whenever someone asked about the pin, he smiled and inferred that
it was special and only a chosen few would ever have the honour of receiving
one. To Rocco he said, “Anyone who buys a ten thousand dollar
painting, gets one.”
Ken was invited to the Columbus Centre again to give the keynote
speech at a dinner honouring Premier Peterson. At the end of the speech
he was to give him a painting of an Inukshuk. But instead of doing a
simple presentation, he told the story of the Order of the Inukshuk –
that the pin was the result of a visionary flood of alcohol consumed in
the land of the midnight sun on June 21, the longest day of the year. He
explained that they were almost impossible to get and only a few very
special people would ever be aware of The Order of the Inukshuk. “They
come to certain people who are magic,” he said. “They come to people
like me. Everyone else has to fight for them.”

https://draft2digital.com/book/3562830

https://www.amazon.com/dp/0981073573

Ken Kirkby – Warrior Painter

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For the first time since he’d been a kid, Ken had no deadlines or other
people’s needs to accommodate. He could sit, smoke and enjoy the flavours
of the sea air, the sound of the gulls, the calm mornings filled with a distant
hum of passing cars filtering down from the Old Island Highway. The
constant rhythm of waves on the pebble beach soothed him as he read late
into the night. The mental kinks slowly started to release.
The luxury of pursuing my thoughts in an academic fashion, waking
when I chose and stopping when I liked was heaven. Initially I was
spinning from Karen’s rejection and had to regiment my mind or the
pain would have driven me crazy. The pain was still there, but now I
was no longer hiding from my thoughts and I took pleasure in the way
one thought could morph into something else incredibly interesting,
but totally unrelated.
We humans fancy that we have evolved this elevated thing called
‘reason’ when compared to ‘sense’—that is, coming from the senses,
which has been developing over millions of years—reasoning is in the
kindergarten stages. When we talk of premonitions, or gut feel, that
also relates to our senses. We have survived from the beginning as
single cell organisms to this time and place, no thanks to reason, but
through our senses.
When Ken Kirkby moved to Bowser at the end of 2001, he was seeking
complete anonymity. His landlords, Ken and Jeanine Harris, were pleasant
and helpful but respectful of his desire for privacy. If Kirkby appeared in the
yard, they were quick to open a conversation, but other than that, they didn’t
intrude. Over the months, the three became friends as well as neighbours
and the Harris’s encouraged him as he established his programme to gain
back his health.
Ken Harris had retired from a high-pressure career in Vancouver. He
was a physically active person, who kept an eye on the community and
occupied his enquiring mind through study. He enjoyed engaging Kirkby
in conversations, which bordered on debates, and ranged far and wide. As
spring approached and the weather warmed, the two Kens would sit together
in the morning sipping their coffee, and sharing Kirkby’s cigarettes (Harris
claimed he had given up smoking) while discussing whatever surfaced …

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https://www.amazon.com/dp/B00CB8W4CG

Ken Kirkby – Warrior Painter

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years old, they were taken south and lost to their families as they were given
an education that could not be applied to their northern way of life.
The soft voice of the Grandmother ended the story by saying, “Perhaps
it would be good to have Isumataq.”
Isumataq, Ken learned, also meant many things—big, or spokesperson—
but the most accurate definition seemed to be “an object or a person in
whose presence wisdom might reveal itself.”
This was the exact point at which he discovered the meaning of his
life in Canada—the unknown purpose for which he’d embarked on this
mysterious and gruelling quest.
The idea that wisdom was a thing that existed on its own and could
only show its value if one was prepared to allow that to happen, was
electrifying. I felt a driving urgency to gather as much information
as possible—a burning need to disseminate that knowledge to those
who could not otherwise experience it for themselves. I had a definable
purpose.
The time came when the Grandmother took Ken aside. She sat on the
floor in front of him and pronounced, “In our mind you are Inuk. You are
learning our language and eating our food and you are a part of us. Our wish
is that you will stay with us, but you tell us that you have to go back to your
world, and that is as it must be. It is our wish that you tell the people in your
world of the many things you have seen—all of the things you know.”
And that was when Ken made the promise to the Grandmother that
would shape, drive and guide him for the next thirty plus years of his life.
I felt I was equipped with the knowledge of something unique. The
spirit of Isumataq had become a living thing in my heart! And as an
artist I had absorbed stunning material at the cellular level. It would
never leave me.
By his own calculations, Ken spent thirty-one years, several million
dollars, ended a marriage and lost numerous friends to his fixation on
keeping his promise to bring the story of the desperate plight of these
indigenous peoples to the 90% of Canadians who lived, totally unaware, in
the southern portion of the nation.

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https://www.amazon.com/dp/B00CB8W4CG

Ken Kirkby, A Painter’s Quest for Canada

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sexual gratification of a bunch of perverts. If this happened to your family,
wouldn’t you want someone to care? Wouldn’t you want someone to
raise a stink? Wouldn’t you want someone to help? That’s all I’m trying
to do. Apparently, to my surprise, it seems this painting was the two by
four needed to apply to the side of your head to get you to pay attention.
My job is to announce to you what has gone on and what continues to
go on. I’m robbing you of your innocence. I’m not going to give you the
chance to say, ‘If only I had known’. Now you know. What are you going
to do about it?”
The mood of the public changed. People began calling to agree with
him. Battle lines were drawn and half – or perhaps even the magic fiftyone
percent – agreed with him.
Ken spent an hour or more each day, at the Columbus Centre, talking
to people who lined up to see the painting and talk to the artist. Thousands
of people came – far more than had attended his opening night.
Ken finished each of his stories with a plea for help. He urged people
not to simply believe his stories, but to investigate and make up their own
minds. And if they discovered that what he said was true, let the government
know how they felt. This was what democracy was about – and he
was appalled at how lightly most people took the democracy they lived in.
“No one that is born here really takes it seriously,” he told them. “Do you
know how many rivers of blood were spilled to have what we have here?
How can we pretend to be this thing that we say we are when you can’t
bother to inform yourselves about what goes on in your own country?
How can you be a nation without knowing what goes on in your own
backyard?”
Ken received a phone call from Wayne Morrison, the executive director
of the Friends of Canadian Broadcasting and the stepson of Northrop
Frye. Could they meet, he asked? Ken invited him to the studio.
Wayne was a dapper and polished gentleman who expressed fascination
with the furor caused by the flag painting. The CBC was about to
suffer large financial cuts, which would seriously endanger its existence,
he said, and he wanted Ken’s help. He wanted to reproduce the flag painting
in full page magazine advertisements with Ken standing beside it
holding a paintbrush with the quote, “I haven’t been this mad in twenty
years.” Below that would be the story of the CBC cutbacks.
Ken said yes, but he was not prepared to use the painting. He would
create another similar one instead. When Diane asked why, he said, “I’m
going to give it to Canada and I don’t want it reproduced. It’s going to go
to the country pure.”
“You’re going to give it away? Good lord, we don’t have enough money to
do what we’re doing and you’re going to give paintings away! Why are you
going to give something to the government? They already take too much!”

https://draft2digital.com/book/3562830

https://www.amazon.com/dp/0981073573

Prairie Roots

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ridiculously low prices; even the children may not have fetched
much, being offspring of immigrants. Life was indeed a struggle,
as the first four boys arrived into their care.
My initial memories of that farm include a vague vision of a gray
two-storey frame house and chickens all over the yard. The chickens
I remember looking at in some puzzlement, from an upstairs
bedroom window, and wondering as to their relationship to me. I
also remember the big blocks of “relief” cheese which mother sliced
on the kitchen table; however, I do not remember whether or not I
liked it. It seemed to me that the weather was always sunny, perhaps
because we were only let out when the sun shone.
My most vivid early memory is associated with the 1938
Beeston school Christmas concert at which time I was three and a
half years old, having been born in May of 1935. I remember not
the concert itself, having slept through most of it, but being awakened
in my Uncle Mike’s arms by the noise of Santa’s arrival. Obviously
my name was called and my Uncle hastened forward with
me to see Santa, who scared me half to death before presenting me
with a red toy truck. I have liked trucks and have been leery of
long-haired men ever since!
We lived in our home until the spring of 1940 at which time my
parents bought a 320 acre tract of virgin land from the Hudson Bay
Company, seven and one half miles north of Hubbard. Where is Hubbard,
you ask? Half way between Goodeve and Ituna or, to locate it another
way, about 100 miles northeast of Regina. The new land had not seen a
plough. The neighbors had pastured cattle on it over the years, otherwise
not a tree had been cut nor a stone picked. All this was about to change.
But first a house had to be built to …

https://draft2digital.com/book/3562900

https://www.amazon.com/dp/0980897920

Ken Kirkby – Warrior Painter

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The Promise that Propelled a Life
“But I have promises to keep, and miles to go before I sleep…”
(Robert Frost, Poet)
~~
Ken worked at a number of jobs on the lower mainland but never gave up
his fixation on the north. It is unlikely his sense of destiny remotely hinted
that the path he was on would directly consume thirty years and several
fortunes, the majority of which would be spent in one of the major cities of
the world. It was enough that his mind was filled with his dream of this vast
and empty land.
Many thousands of Canadians made their home in Vancouver and
environs, and it frustrated him that he’d not found anyone who had been to
the Arctic, or even expressed more than a passing interest in that inaccessible
land that made up one-third of Canada.
The city was not a good fit for him, and within a year, he was leaving
it behind. He worked for several seasons on the construction of the WAC
Bennett Dam at Hudson’s Hope—an experience that has stood him in
good stead both through the workplace challenges he met, and the lasting
connection he made with WAC Bennett himself.
This odd association resulted in a piece of useful advice offered during
Ken’s long battle on behalf of the Inuit. The Premier of British Columbia
recommended that if all else failed, Ken should practice “Legislation by
exhaustion—the last man standing wins.” Over the years, Ken found it fit
his style admirably.
While working in Hudson’s Hope, he fell in love with a beautiful First
Nations girl and crumbled in broken-hearted despair when she was taken in
a tragic accident on the eve of their wedding. Tormented and withdrawn, he
took refuge in the compelling images imprinted into his brain by Francisco’s
tales of the Canadian northland. These seemed to offer some promise of
respite and became the catalyst that drove him into the Arctic. By the time
he was twenty-five, he had lived several years with the Inuit and travelled
by foot, boat and dogsled from Coppermine, NWT to Baffin Island and
back. In the process, he gave his promise to an Inuit grandmother …

https://draft2digital.com/book/3562902

Ken Kirkby, A Painter’s Quest for Canada

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so that the next morning there they would be – mysteriously having arrived
out of nowhere.
Salvador thought it was a marvellous plan, but his reason for the visit
was to arrange a meeting with Albert Reichmann. It had to be planned
several months in advance, but it could be done.
At last! Ken stipulated that the meeting take place at the Reichmann
home on an afternoon when Salvador and his crew were working in the
garden. “And this is what I want you to say: ‘Mr. Albert, there’s the man
in the garden – the man I told you about. He’s been sent.’ Just use those
words.”
“Why would I say that?” Salvador asked.
“Because that’s what I want you to say.”
“Why?”
“I don’t want to tell you.”
“What do you mean?”
“I promise I’ll tell you when the meeting is over, but those are the
words that have to be used.”
“Give me some idea about why those particular words.”
“Right now I can’t, but I just know that those are the right words.
They’re magic words. Merlin put them in my ear.”
Salvador promised to say the exact words, but as Ken got up to continue
painting and looked back at him, smiling enigmatically, he admitted
to himself that he had no idea whether he would say those words – or
indeed, what he would say or do.
The fundraising campaign was a flop. Most of the corporations sent no
reply and the two that came were gracious refusals. “Send more letters,”
Ken said.
“But they’re not working,” Diane protested.
“It doesn’t matter. Send more anyway!”
The Canadian Cancer Society sent a letter asking for his help in their
own fundraising campaign. Would he donate a painting of an Inukshuk
for a raffle? He and the Premier of Ontario, David Peterson, would pick
the winner at a large media event. Ken saw an opportunity for more publicity
and cheerfully said yes.
On the last day of the campaign, he met with Peterson, an affable, witty
man who was also an art lover. He told Ken that he and his wife had attended
his show at the Columbus Centre, but by the time they had arrived
every painting was sold.
Ken invited him to his studio for a private showing – and a guarantee
that some paintings there would not have a sold sticker. A few days later,
Peterson and his wife arrived and lingered in the studio, taking in the
large paintings and the sketches of Isumataq. They picked out a canvas
and, while Diane and Peterson’s wife selected a frame, …

https://draft2digital.com/book/3562830

https://www.amazon.com/dp/0981073573