Ken Kirkby, A Painter’s Quest for Canada

excerpt

He had more canvases made that together measured twenty-five feet,
eight inches long by two feet high. By anyone’s standard, this was an immense
painting: by Ken’s yardstick, it was a miniature. However, the size
was ideal, as it allowed him to sketch in every detail and nuance he wanted
to convey.
He worked eighteen hours a day, but time had ceased to have meaning.
He physically barricaded the studio to discourage visitors. Several weeks
later, when the large model was complete, he started to calculate what it
would take to paint a portrait that was twelve feet high one hundred fiftytwo
feet long. He estimated that he would need thirty-eight panels twelve
feet high by four feet long, butted seamlessly together.
He had immense issues to deal with. First, he had to find a supplier
who could stretch canvases of that size. He also had to keep Rocco supplied
with paintings, and he had to complete them on time. And, he had
to finish the Reichmann and Yellowknife Airport paintings. In addition,
he was once again doing presentations at schools. Common sense told
him to say no to those requests, yet he felt an obligation to talk to the
children – to fire their minds with dreams. Although he should have been
tired, he was bursting with energy. It was as though the furnace of his
heart was being stoked with a fuel that burned endlessly – a fuel more
potent than food, drink or rest.
He could find no one who would stretch the canvases. Those he approached
thought he was mad. He talked to the company that supplied
their framing material, explaining that he needed stretchers double kiln
dried so they wouldn’t warp. They also had to be bevelled so that when
the panels came together the seams would disappear.
Ken wanted all the materials he used to be made in Canada. It wasn’t
possible. No one in Canada made canvas, so he ordered several rolls from
Brazil, each roll weighing hundreds of pounds. He also had to import
brushes.
With leftover canvas from the Reichmann painting, he and Diane
stretched the first panel using the device he had invented that was a combination
of canvas stretching pliers, Vise-Grips, and a torque wrench. Every
part of the canvas had to be stretched to precisely the same tension.
The canvas was perfect when he could lay it on the floor, toss a coin
on it ,and have it bounce off like a bullet. If it wasn’t right he started over
again – and he began afresh many times.
Keeping in mind his insight about quantifying the painting, he made a
precise list of every item he needed. How much glue would he need? How
much gesso for four coats on each of thirty-eight panels? How much paint?
Ken met with Mr. Stevenson, of Stevenson and Company paint manufacturers,
“I think I’m going to need two tons of paint,” Ken said.

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Ken Kirkby – Warrior Painter

excerpt

lobsters and many varieties of fish. Francisco would light a fire on the
rocky floor and the smoke would rise through the gap overhead while
we prepared a feast. Monsieur Desjardines thought this secluded spot
was heaven. We’d spend the day fishing, eating lobster over an open
fire and sharing stories. There was something deliciously daring about
being in a place feared by the locals—if the weather blew up a storm,
as it could easily do, the magical hiding spot could well become a
watery tomb.
Ken’s young life was idyllic but Portugal was changing. At the close
of three decades in power, the once-benevolent dictatorship of Antonio
de Oliveria Salazar was losing favour. In an effort to maintain control as
opposition coalesced behind the dissident Henrique Galvoa, Salazar’s
secret police grew more and more vicious, and by 1956, the country was
under siege.
Lisbon was the kind of city that attracted unusual people: the brilliant,
the demonic and those who drifted on the fringes of society. Spies abounded.
Ordinary people were recruited to inform on their friends and neighbours,
and paid according to the value of their information. Many innocent people
were ruined and the ensuing chaos heightened Ken’s determination to get
himself and his family out of the country.
Although his employees revered Kirkby, Sr. his position as a major
industrialist was unpopular with the authorities. It was no secret he had ties
with the exiled Galvoa. The contents of their ongoing correspondence was
less public and this was a double-edged sword: the Salazar supporters were
suspicious of his connection with the agitator, but totally unaware of the
extent to which Kirkby, Sr. was being kept apprised of problems brewing
within the country.
By early 1957, the Kirkby business empire was showing signs of
imploding under the intensified attentions of the secret service. Sixteen-year-
old Ken had an extensive network of friends at all social levels. When
he realised that time was running out for his dad he managed, with their
help, to orchestrate his father’s escape via a private plane in the gloom of an
early morning with government enforcers hard on their heels.
Monsieur Desjardines arranged the necessary paperwork for Kirkby, Sr.
to enter Canada. However, it took many months and the official intervention

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Ken Kirkby – Warrior Painter

excerpt

I’m aware that you are frequently faced with idiots and liars and
scoundrels but, in telling this story, I hope to explain that I am none of these
things. You need to know there are people in this world who actually do
give their entire lives to something bigger than themselves.”
“We have an hour,” she replied.
Fifty-nine minutes later, Ken had told the story of Isumataq and of the
cause of the Inuit. “That’s the preamble—now here’s the paperwork,” he
said, sliding neat folders of material across the table to her. “Here’s how the
money came in and here’s how it went out. For myself, I’ve always lived a
Spartan life. I’ve no real interest in possessions or material things. Money is
simply a necessary tool, like a hammer or a screwdriver—or a paintbrush.”
Some time later the Judge looked up and announced, “You don’t owe
a penny, Mr. Kirkby.”
“I know. If I did, I would pay it.”
When he emerged from the meeting, Ken felt as though his feet were
gliding above the rain-washed pavement. It had been worth the battle and
his sense of justification made him giddy. Karen was out of town again, but
when he phoned to share the good news, her bitter response was “Well, I
guess rules just don’t apply to you.”
He spent the evening in company with his long-time friend and fishing
buddy, Ron Gruber. Since Ken’s return to Vancouver, Ron had watched his
friend’s relationship deteriorate. He was increasingly concerned as he saw
Ken slide steadily into that solitary and dark place from which there seems
no escape. Ron was one of the few people in the world Ken could talk to
about personal matters and he told him of his concern that Karen seemed
determined to alienate her colleagues. As he put it, “It’s like watching
someone you care for deeply move dangerously close to the edge of the
cliff, and there’s no way to save her.” He harkened back to earlier situations
when Karen had set herself on collision course, and then dragged others
with her into disaster.
It was not Ken’s nature to give up without a fight, and it took several
months more before he would accept the end of their relationship. He’d
committed to change his life for Karen and he meant to do everything
humanly possible to retrieve the closeness he’d once had with her. But even
that steely resolve wilted when, before leaving on another business trip,
Karen voiced her opinion that they had nothing whatsoever in common…

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Ken Kirkby, A Painter’s Quest for Canada

excerpt

A painting that goes in hockey arenas, that is toured across the country
from one end to the other, telling the story.
Then a whole flood of ideas and memories came into my mind crystal
clear. Grandmother doing her dance and her song in the winter – becoming
mesmerized and overcome by heat and emotion – going outside and the
Northern Lights roaring overhead – and she came out and stood beside me
and put her arm in mine and told me that those were the spirits of her ancestors
dancing. And she sensed the difficulties I was having over the loss of the
two women that I had loved so profoundly. She had said, “It’s a good thing
to let them go and dance”.
During her song and her story, there had been the need of an Isumataq
– a person or an object in whose presence wisdom might show itself. The
painting would be called Isumataq. And the dream driving all of this was
Nunavut.
That was the moment in which the whole thing exploded in one clear vision.
It must have been working quietly in my brain all this time and now
here it was – all together. Now it poured out and it all came together like a
jigsaw puzzle – every piece moved into its proper slot.
Covered in sweat, Ken’s body shook with nervous energy. His whole
being thrilled and he felt himself to be outside his body – completely
outside space and time. The vision was so clear, so compelling, that it
possessed him. He knew it would come to own him – night and day – and
he didn’t care. He gave himself up to it. He paced back and forth, details
of Isumataq whirling in his mind and dropping into place like numbers
on a slot machine.
He drove home that night with a new excitement coursing through
him. When he told Marsha he was going to create a giant painting on
the scale of the Sistine Chapel, she smiled and shook her head. In the
morning he told Diane who began to plan a studio renovation to accommodate
such an enormous painting. While they were hunched over the
sketch, Salvador appeared in the doorway, a bottle of brandy in his hand,
and a smile on his face.
“I have the equipment, the idea, the staff, and the availability of rock.
How would you like a giant Inukshuk in your studio?”
Three days later, Salvador pulled up in a new Saab, followed by a flatbed
truck – groaning under the weight of massive blocks of granite – and
two extended cab pickups loaded with burly men. At two in the morning,
after hours of heavy labour, a seven-foot tall Inukshuk towered over
the studio. Salvador waved his arm at it like a magician wielding a wand.
“There. Is it to your liking?”
“It’s perfect,” Ken said.
Salvador’s next project was an Inukshuk at the Columbus Centre!
Dragging Ken and Joseph Carrier to the lobby, he gestured grandly…

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Ken Kirkby – Warrior Painter

excerpt

she was pregnant with his child when she died.
Jessica came into his life a number of years later when he was
working in northern British Columbia. Again, a woman on the fringes of
acceptable society, she was wise, beautiful, self-reliant, and she loved him
unconditionally. Ken met her through her brother, Patrick, with whom he
worked. They were First Nations people filled with the pride of their early
ancestors. There is a saying that home is where the heart is, and Ken found
Jessica’s cozy log house in the ranch country the closest thing to a home that
he’d ever experienced. The lovers spent blissful months together planning
their wedding. It was one of the happiest times in his life.
The perverse hand of Fate nearly destroyed him when Jessica and
Patrick were killed in a horrific accident on icy, winter roads. The pickup
was still burning when Ken arrived at the scene, his last hope extinguished
when, through the shattered window of the burnt out vehicle he recognized
the sleeve of Jessica’s buckskin coat, the mate to the one he was wearing.
The traumatic image of the fiery wreck haunted his dreams long after, and
virtually drove him into the Arctic seeking some form of peace.
On his return from the years spent in the Arctic, Ken entered into
a comfortable relationship with Helen. She was a settled, intelligent
schoolteacher who appeared to support his drive to re-establish himself
as a painter within the Vancouver art scene. He was not the first man to
marry under the mistaken belief that his woman accepted his stipulation
that fatherhood was not in his plans. Ken clearly understood the depth of
his own drive and focus and believed that, consumed as he was to right the
wrong that had been done to the Inuit, he had nothing left over to give a
child. But he had not reckoned with the determination of a woman bent on
motherhood.
When Michael was born, Ken was immediately captivated by this tiny
bundle of human life. Torn between wonderment and reality, he knew that
his kind of obsessive dedication to the northern problem left little time for
the sort of nurturing his own father had given him. What was done could
never be undone however, and Ken did his best to provide for his family
both financially and emotionally. Things proceeded relatively smoothly for
a handful of years, although Ken never quite trusted Helen in the same way
he had before the unexpected pregnancy. Happily though, over the years, he
and Michael crafted a wonderfully strong, mutual love and the young man…

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Ken Kirkby – Warrior Painter

excerpt

Warriors Come in Many Shapes
“We all grow up with the weight of history on us.
Our ancestors dwell in the attics of our brains as they
do in the spiraling chains of knowledge hidden in every cell of our bodies.”
(Shirley Abbott, Writer)
~~
Ken Kirkby inherited genes from a thousand years of determined and
intelligent men and the clever women who worked beside them. In each
generation, the face of the world inhabited by his ancestors was left
improved. If he feels some pressure to leave his own imprint on his world,
he chooses to do so by inspiring others as he has been inspired; by restoring
what has been spoiled and by righting what is wrong. Justice is an important
word in his vocabulary.
His father, Ken Kirkby, Sr. turned his back on both a fortune and his
influential British steel family as a young man. He left his assured place
in Britain to make a successful life in Australia and eventually returned to
England with a reputation for a sound ability to turn failing companies into
profitable ventures. With World War II on the horizon, he was seconded by
Winston Churchill’s team to transform the venerable but struggling Rover
Motor Company into an efficient, profit-making war machine.
In 1938, he met and married Ken’s mother, Louise May Chesney. Her
father was a respected Spanish industrialist whose family traced their roots
back to Rurik of the Rus, a Dane whose history was recorded in written
form in 746 AD. Ken was born in 1940 and his sister three years later. The
Kirkby and Chesney families left recession strapped Britain for Spain in
1946 and the Kirkby family ultimately settled in the Portuguese village of
Parede, a coastal village south of Lisbon. Their neighbours were diplomats
or professional elite, but Ken’s father preferred to do his own gardening and
knew the children of all his employees by their first names.
Ken’s childhood was unorthodox by any measure. Their family home
on the Avenue of Princes welcomed many of the brightest minds of the
European world at the time, but he ran barefoot with the Gypsy kids, bartered
his drawings in the marketplace and escaped his mother’s restrictions

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Ken Kirkby, Warrior Painter

excerpt

To have the warmth and companionship fade away now that he had time
to devote to her in the pursuit of her dreams seemed to be nothing short of
cruel. Whatever it took to appease Karen would be done.
~~
Now, in Bowser, Ken was faced with the sudden realisation that he had
been living life on autopilot. It was a severe jolt for the man who prided
himself on being attentive at all times to what was going on, both within
himself and in the world surrounding him. As a quicksilver dawn slipped
above the scattering of islands offshore, Ken made a fresh pot of coffee and
realized he’d made a breakthrough. It had been a long night coming to grips
with the situation. Self-awareness was a fundamental state of mind for him,
but as he replayed the recent years, he could identify countless occurrences
that had ultimately reduced him to this astonishing loss of control.
His elusive mind was stubborn in its refusal to follow an orderly chain
of thoughts, and he became aware that for months, perhaps even years,
his overloaded brain had taken refuge in the distractions provided by an
intelligent mind. No matter how vigorously he attempted to discipline it to
the process, it slid sideways into something less conflicting.
The act of thinking had become busy work, necessary in order to avoid
the bleak despair that filled him, most especially intensified when Karen had
withdrawn. But he now recognised it was an escape mechanism that needed
to be meticulously managed. For the first time in a long while, he was
looking with a clear eye at the core of his anguish rather than retreating from
it. Gradually he was being filled with certainty that, with this awakening, he
was exactly where he should be.
My real job now was to be painstaking in programming my healing,
much as I did in Portugal when my dad turned the problem of beating
my recurring childhood illness over to me.
Ken was frequently ill in his early years. Although no medical expense
was spared, the ailment remained unnamed. He had grown weaker, thinner
and yet more tired following relocation from Britain to Spain. However,
in his mother’s Spanish culture, weakness—whether physical or mental—
was never to be acknowledged. It was only after the family rejoined Ken’s
dad in Parede, Portugal that the six-year-old was permitted to articulate…

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Ken Kirkby, A Painter’s Quest for Canada

excerpt

assion doesn’t come from this generation.”
“I was. I was raised in an ancient place by somewhat ancient people.”
“So, what do you propose I do?”
“I propose you find out whether I am telling you the truth.”
As he and Rocco left, Ken turned and said, “By the way, I think the gallery
should be called The Joseph D. Carrier Gallery.”
Carrier smiled. “Of course.”
Once work on the gallery began, Ken and Carrier met frequently. When
Carrier discovered that Ken’s paternal grandmother, Constanze Inocente,
was from Genoa, he declared that the connection made Ken Italian, and a
member of the community. With Carrier’s urging, Ken joined the Canadian
Italian Business and Professional Association, a dynamic and diverse
group that included doctors, lawyers, carpenters, and bricklayers.
As opening night of the Carrier Gallery approached, Ken suggested a
show of his Arctic paintings, on a massive scale.
“You haven’t sold any and you want to start off with a huge explosion?
Rocco asked. “What if it fails?”
“You’re sounding like my mother. What if…”
“I love the idea, but what a risk!”
“When you jump off a cliff, make sure you do it head first. Be honourable.
Do it big.”
What about the cost?” Rocco asked. “Who will pay for it?”
“All we have to do is commit to the vision and the rest will follow.”
Ken rented the warehouse next door to the framing factory, a space
large enough for his Arctic paintings. He painted the ceiling black, the
walls white, and the floor battleship gray. Then, he went to work on the
giant paintings. Rocco focused on the show. They needed a sponsor, Ken
said. The show had to be unique. Canadians didn’t care about the Arctic
so everything about it had to be special.
“If Canadians don’t care, why are we doing this?” Rocco asked.
“Because this story has to be told,” Ken said, explaining that the entire
saga had begun on a beach in Portugal. And that’s when it struck him –
Portugal would be their sponsor.
He wrote a letter to Dr. Antonio Tanger Correia, the Portuguese Consul
General.
Correia called. “Mr. Kirkby. As if you had to explain yourself! What a
delight to get your letter. We must have lunch!”
They met for a lunch that extended into dinner. Ken explained that he
wanted the invitations for the exhibition to come from the Portuguese
people, meaning the Consul General and the Portuguese Ambassador to
Canada. “I’m not asking for money,” he said. “I simply want you to issue
the invitations.”

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Ken Kirkby, A Painter’s Quest for Canada

excerpt

trying to meet you for years,” he said. Gruber carved decoys, many of
which had made their way into Ken’s extensive collection. “Our paths
have crossed many times,” he said. “But somehow we’ve never met. Now,
unfortunately, we have to meet under circumstances that aren’t the best. I
work for a credit company, and I have to cancel and pick up your gas card.
I’m awfully sorry to do this.”
“That’s fine,” Ken said. “You’re just doing your job. Come over now.”
They talked, while consuming an entire bottle of Scotch, and became
friends for life. Ron and his wife lived in a big house near Jericho Beach,
that had separate living quarters on the ground floor. When Ken told him
he had just lost his house, Ron suggested he move into their ground floor
suite, and a few days later, Ken loaded his possessions into his truck and
drove to Jericho Beach.
Revenue Canada sent a letter demanding a large sum of money in back
taxes on his real estate investments. Because he had never taken the money,
but only reinvested it, it had never been taxed. Ken put the letter on his
bureau. Another letter arrived and then another, until he had accumulated
seventeen progressively threatening tax notices. The final one informed
him he was being sued. Ken took the notices to his accountant who was as
puzzled as Ken. Each one demanded a different sum of money.
When they went to court, the lawyer for Revenue Canada made his
statement. The judge turned to Ken. “Guilty or not guilty?”
“Not guilty,” Ken said. “Impossibly and completely not guilty.”
“How so?”
“Your honour, if I may be allowed to approach the bench and present
you with the situation in writing. But, before I do that, may I ask you a
question in order to help clarify the situation?”
“What if one were walking down the street,” he asked, “and came across
a car lot, and spotted a car he fancied, and wanted to buy it, and the salesman
didn’t know how much it cost? And what if he went to his sales manager
and the manager, also, didn’t know how much it cost? And what if
he went to the owner of the car lot and the owner didn’t know how much
the car cost – would one be able to conclude a satisfactory transaction?”
“Clearly not,” the judge said.
“This would appear to be the same situation,” Ken said, handing the
demand letters to the judge. “There are seventeen different notices here,
which are completely confusing. There is no way, even according to the
accountants I am acquainted with, to make head or tail of it. Every single
one has a different figure on it: that makes no sense at all.”
The judge studied the demands, his frown deepening.
“As far as I’m concerned, I don’t owe the money,” Ken said.
“I think you’re absolutely correct,” the judge said. “This is disgraceful.”
And he threw the case out of court.

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Ken Kirkby, A Painter’s Quest for Canada

excerpt

The day before the exhibit, he helped hang the paintings;
only one in each room of the gallery. Opening night resembled a Hollywood
premier. People gathered in the street and, when a chauffeur
driven limousine drew up to the curb, the media descended. Ken parted
the crowd and opened the door, guiding the Duchess into the gallery. The
crowd inside fell back as though God himself had made an entrance.
Ken led her through the rooms, telling the stories of the Canadian
North. She nodded, smiled, listened attentively, and left as quickly as she
had come. Forty-five minutes later every painting wore a sold sticker.
Ken extended his stay, in order to accept all the invitations he was besieged
with. He had been in Madrid for six weeks, when his father called.
“You must come home right away.”
“What happened?”
“Just, come home immediately. It looks like the trust company has
gone under.”
He flew home the next day and took a cab directly to his father’s apartment,
where he found him more agitated than Ken had ever known him
to be. “This is real trouble,” he said. “We tried to get into the office and it’s
locked – the locks have been changed and nobody is there.”
In his own office, he discovered several key files missing. He arranged
a meeting with other clients of the trust company. There were rumours.
Some said the company principal had moved to the Fraser Valley, where
he had set up an Arabian horse farm and purchased a Rolls-Royce. Others
said he had simply vanished without a trace.
Ken called the RCMP commercial crime division and drove to the station
with his father. The officer explained that the department was aware
of the issue. “It’s a complicated mess,” he said. “We’re going to have to
investigate you and your activities, the same as everyone else.”
The police found many of the missing files but not a trace of the company
president and CEO. Rumours continued to circulate. One claimed
that the head of the trust company had had nothing to do with the missing
funds. It was Ken Kirkby. He was crazy, and smart, and out of the
country when disaster struck. He was the one who had masterminded the
plot. The media ran with it and reporters parked their cars and vans in
front of his house waiting for one glimpse – to take just one picture with a
telephoto lens. Two professional hockey players, convinced that Ken had
taken their money, filed a lawsuit. The judge threw it out of court. Ken
threw himself into the investigation, working with the police day after
day to piece together what had happened.
The RCMP interviewed the victims of the fraud and examined the
documents. Sorting through his own papers became a full time job, and
there were many times he gave up all hope of making sense of them.
His greater despair was the loss of his friends.

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