Tag: canadian-landscapes

Ken Kirkby, A Painter’s Quest for Canada

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excerpt

A painting that goes in hockey arenas, that is toured across the country
from one end to the other, telling the story.
Then a whole flood of ideas and memories came into my mind crystal
clear. Grandmother doing her dance and her song in the winter – becoming
mesmerized and overcome by heat and emotion – going outside and the
Northern Lights roaring overhead – and she came out and stood beside me
and put her arm in mine and told me that those were the spirits of her ancestors
dancing. And she sensed the difficulties I was having over the loss of the
two women that I had loved so profoundly. She had said, “It’s a good thing
to let them go and dance”.
During her song and her story, there had been the need of an Isumataq
– a person or an object in whose presence wisdom might show itself. The
painting would be called Isumataq. And the dream driving all of this was
Nunavut.
That was the moment in which the whole thing exploded in one clear vision.
It must have been working quietly in my brain all this time and now
here it was – all together. Now it poured out and it all came together like a
jigsaw puzzle – every piece moved into its proper slot.
Covered in sweat, Ken’s body shook with nervous energy. His whole
being thrilled and he felt himself to be outside his body – completely
outside space and time. The vision was so clear, so compelling, that it
possessed him. He knew it would come to own him – night and day – and
he didn’t care. He gave himself up to it. He paced back and forth, details
of Isumataq whirling in his mind and dropping into place like numbers
on a slot machine.
He drove home that night with a new excitement coursing through
him. When he told Marsha he was going to create a giant painting on
the scale of the Sistine Chapel, she smiled and shook her head. In the
morning he told Diane who began to plan a studio renovation to accommodate
such an enormous painting. While they were hunched over the
sketch, Salvador appeared in the doorway, a bottle of brandy in his hand,
and a smile on his face.
“I have the equipment, the idea, the staff, and the availability of rock.
How would you like a giant Inukshuk in your studio?”
Three days later, Salvador pulled up in a new Saab, followed by a flatbed
truck – groaning under the weight of massive blocks of granite – and
two extended cab pickups loaded with burly men. At two in the morning,
after hours of heavy labour, a seven-foot tall Inukshuk towered over
the studio. Salvador waved his arm at it like a magician wielding a wand.
“There. Is it to your liking?”
“It’s perfect,” Ken said.
Salvador’s next project was an Inukshuk at the Columbus Centre!
Dragging Ken and Joseph Carrier to the lobby, he gestured grandly…

https://draft2digital.com/book/3562830

https://www.amazon.com/dp/0981073573

Ken Kirkby – Warrior Painter

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she was pregnant with his child when she died.
Jessica came into his life a number of years later when he was
working in northern British Columbia. Again, a woman on the fringes of
acceptable society, she was wise, beautiful, self-reliant, and she loved him
unconditionally. Ken met her through her brother, Patrick, with whom he
worked. They were First Nations people filled with the pride of their early
ancestors. There is a saying that home is where the heart is, and Ken found
Jessica’s cozy log house in the ranch country the closest thing to a home that
he’d ever experienced. The lovers spent blissful months together planning
their wedding. It was one of the happiest times in his life.
The perverse hand of Fate nearly destroyed him when Jessica and
Patrick were killed in a horrific accident on icy, winter roads. The pickup
was still burning when Ken arrived at the scene, his last hope extinguished
when, through the shattered window of the burnt out vehicle he recognized
the sleeve of Jessica’s buckskin coat, the mate to the one he was wearing.
The traumatic image of the fiery wreck haunted his dreams long after, and
virtually drove him into the Arctic seeking some form of peace.
On his return from the years spent in the Arctic, Ken entered into
a comfortable relationship with Helen. She was a settled, intelligent
schoolteacher who appeared to support his drive to re-establish himself
as a painter within the Vancouver art scene. He was not the first man to
marry under the mistaken belief that his woman accepted his stipulation
that fatherhood was not in his plans. Ken clearly understood the depth of
his own drive and focus and believed that, consumed as he was to right the
wrong that had been done to the Inuit, he had nothing left over to give a
child. But he had not reckoned with the determination of a woman bent on
motherhood.
When Michael was born, Ken was immediately captivated by this tiny
bundle of human life. Torn between wonderment and reality, he knew that
his kind of obsessive dedication to the northern problem left little time for
the sort of nurturing his own father had given him. What was done could
never be undone however, and Ken did his best to provide for his family
both financially and emotionally. Things proceeded relatively smoothly for
a handful of years, although Ken never quite trusted Helen in the same way
he had before the unexpected pregnancy. Happily though, over the years, he
and Michael crafted a wonderfully strong, mutual love and the young man…

https://www.amazon.com/dp/B00CB8W4CG

Ken Kirkby – Warrior Painter

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Warriors Come in Many Shapes
“We all grow up with the weight of history on us.
Our ancestors dwell in the attics of our brains as they
do in the spiraling chains of knowledge hidden in every cell of our bodies.”
(Shirley Abbott, Writer)
~~
Ken Kirkby inherited genes from a thousand years of determined and
intelligent men and the clever women who worked beside them. In each
generation, the face of the world inhabited by his ancestors was left
improved. If he feels some pressure to leave his own imprint on his world,
he chooses to do so by inspiring others as he has been inspired; by restoring
what has been spoiled and by righting what is wrong. Justice is an important
word in his vocabulary.
His father, Ken Kirkby, Sr. turned his back on both a fortune and his
influential British steel family as a young man. He left his assured place
in Britain to make a successful life in Australia and eventually returned to
England with a reputation for a sound ability to turn failing companies into
profitable ventures. With World War II on the horizon, he was seconded by
Winston Churchill’s team to transform the venerable but struggling Rover
Motor Company into an efficient, profit-making war machine.
In 1938, he met and married Ken’s mother, Louise May Chesney. Her
father was a respected Spanish industrialist whose family traced their roots
back to Rurik of the Rus, a Dane whose history was recorded in written
form in 746 AD. Ken was born in 1940 and his sister three years later. The
Kirkby and Chesney families left recession strapped Britain for Spain in
1946 and the Kirkby family ultimately settled in the Portuguese village of
Parede, a coastal village south of Lisbon. Their neighbours were diplomats
or professional elite, but Ken’s father preferred to do his own gardening and
knew the children of all his employees by their first names.
Ken’s childhood was unorthodox by any measure. Their family home
on the Avenue of Princes welcomed many of the brightest minds of the
European world at the time, but he ran barefoot with the Gypsy kids, bartered
his drawings in the marketplace and escaped his mother’s restrictions

https://draft2digital.com/book/3562902

https://www.amazon.com/dp/B00CB8W4CG

Ken Kirkby, Warrior Painter

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To have the warmth and companionship fade away now that he had time
to devote to her in the pursuit of her dreams seemed to be nothing short of
cruel. Whatever it took to appease Karen would be done.
~~
Now, in Bowser, Ken was faced with the sudden realisation that he had
been living life on autopilot. It was a severe jolt for the man who prided
himself on being attentive at all times to what was going on, both within
himself and in the world surrounding him. As a quicksilver dawn slipped
above the scattering of islands offshore, Ken made a fresh pot of coffee and
realized he’d made a breakthrough. It had been a long night coming to grips
with the situation. Self-awareness was a fundamental state of mind for him,
but as he replayed the recent years, he could identify countless occurrences
that had ultimately reduced him to this astonishing loss of control.
His elusive mind was stubborn in its refusal to follow an orderly chain
of thoughts, and he became aware that for months, perhaps even years,
his overloaded brain had taken refuge in the distractions provided by an
intelligent mind. No matter how vigorously he attempted to discipline it to
the process, it slid sideways into something less conflicting.
The act of thinking had become busy work, necessary in order to avoid
the bleak despair that filled him, most especially intensified when Karen had
withdrawn. But he now recognised it was an escape mechanism that needed
to be meticulously managed. For the first time in a long while, he was
looking with a clear eye at the core of his anguish rather than retreating from
it. Gradually he was being filled with certainty that, with this awakening, he
was exactly where he should be.
My real job now was to be painstaking in programming my healing,
much as I did in Portugal when my dad turned the problem of beating
my recurring childhood illness over to me.
Ken was frequently ill in his early years. Although no medical expense
was spared, the ailment remained unnamed. He had grown weaker, thinner
and yet more tired following relocation from Britain to Spain. However,
in his mother’s Spanish culture, weakness—whether physical or mental—
was never to be acknowledged. It was only after the family rejoined Ken’s
dad in Parede, Portugal that the six-year-old was permitted to articulate…

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https://draft2digital.com/book/3562902

Ken Kirkby, A Painter’s Quest for Canada

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assion doesn’t come from this generation.”
“I was. I was raised in an ancient place by somewhat ancient people.”
“So, what do you propose I do?”
“I propose you find out whether I am telling you the truth.”
As he and Rocco left, Ken turned and said, “By the way, I think the gallery
should be called The Joseph D. Carrier Gallery.”
Carrier smiled. “Of course.”
Once work on the gallery began, Ken and Carrier met frequently. When
Carrier discovered that Ken’s paternal grandmother, Constanze Inocente,
was from Genoa, he declared that the connection made Ken Italian, and a
member of the community. With Carrier’s urging, Ken joined the Canadian
Italian Business and Professional Association, a dynamic and diverse
group that included doctors, lawyers, carpenters, and bricklayers.
As opening night of the Carrier Gallery approached, Ken suggested a
show of his Arctic paintings, on a massive scale.
“You haven’t sold any and you want to start off with a huge explosion?
Rocco asked. “What if it fails?”
“You’re sounding like my mother. What if…”
“I love the idea, but what a risk!”
“When you jump off a cliff, make sure you do it head first. Be honourable.
Do it big.”
What about the cost?” Rocco asked. “Who will pay for it?”
“All we have to do is commit to the vision and the rest will follow.”
Ken rented the warehouse next door to the framing factory, a space
large enough for his Arctic paintings. He painted the ceiling black, the
walls white, and the floor battleship gray. Then, he went to work on the
giant paintings. Rocco focused on the show. They needed a sponsor, Ken
said. The show had to be unique. Canadians didn’t care about the Arctic
so everything about it had to be special.
“If Canadians don’t care, why are we doing this?” Rocco asked.
“Because this story has to be told,” Ken said, explaining that the entire
saga had begun on a beach in Portugal. And that’s when it struck him –
Portugal would be their sponsor.
He wrote a letter to Dr. Antonio Tanger Correia, the Portuguese Consul
General.
Correia called. “Mr. Kirkby. As if you had to explain yourself! What a
delight to get your letter. We must have lunch!”
They met for a lunch that extended into dinner. Ken explained that he
wanted the invitations for the exhibition to come from the Portuguese
people, meaning the Consul General and the Portuguese Ambassador to
Canada. “I’m not asking for money,” he said. “I simply want you to issue
the invitations.”

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Ken Kirkby, A Painter’s Quest for Canada

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trying to meet you for years,” he said. Gruber carved decoys, many of
which had made their way into Ken’s extensive collection. “Our paths
have crossed many times,” he said. “But somehow we’ve never met. Now,
unfortunately, we have to meet under circumstances that aren’t the best. I
work for a credit company, and I have to cancel and pick up your gas card.
I’m awfully sorry to do this.”
“That’s fine,” Ken said. “You’re just doing your job. Come over now.”
They talked, while consuming an entire bottle of Scotch, and became
friends for life. Ron and his wife lived in a big house near Jericho Beach,
that had separate living quarters on the ground floor. When Ken told him
he had just lost his house, Ron suggested he move into their ground floor
suite, and a few days later, Ken loaded his possessions into his truck and
drove to Jericho Beach.
Revenue Canada sent a letter demanding a large sum of money in back
taxes on his real estate investments. Because he had never taken the money,
but only reinvested it, it had never been taxed. Ken put the letter on his
bureau. Another letter arrived and then another, until he had accumulated
seventeen progressively threatening tax notices. The final one informed
him he was being sued. Ken took the notices to his accountant who was as
puzzled as Ken. Each one demanded a different sum of money.
When they went to court, the lawyer for Revenue Canada made his
statement. The judge turned to Ken. “Guilty or not guilty?”
“Not guilty,” Ken said. “Impossibly and completely not guilty.”
“How so?”
“Your honour, if I may be allowed to approach the bench and present
you with the situation in writing. But, before I do that, may I ask you a
question in order to help clarify the situation?”
“What if one were walking down the street,” he asked, “and came across
a car lot, and spotted a car he fancied, and wanted to buy it, and the salesman
didn’t know how much it cost? And what if he went to his sales manager
and the manager, also, didn’t know how much it cost? And what if
he went to the owner of the car lot and the owner didn’t know how much
the car cost – would one be able to conclude a satisfactory transaction?”
“Clearly not,” the judge said.
“This would appear to be the same situation,” Ken said, handing the
demand letters to the judge. “There are seventeen different notices here,
which are completely confusing. There is no way, even according to the
accountants I am acquainted with, to make head or tail of it. Every single
one has a different figure on it: that makes no sense at all.”
The judge studied the demands, his frown deepening.
“As far as I’m concerned, I don’t owe the money,” Ken said.
“I think you’re absolutely correct,” the judge said. “This is disgraceful.”
And he threw the case out of court.

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Ken Kirkby, A Painter’s Quest for Canada

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The day before the exhibit, he helped hang the paintings;
only one in each room of the gallery. Opening night resembled a Hollywood
premier. People gathered in the street and, when a chauffeur
driven limousine drew up to the curb, the media descended. Ken parted
the crowd and opened the door, guiding the Duchess into the gallery. The
crowd inside fell back as though God himself had made an entrance.
Ken led her through the rooms, telling the stories of the Canadian
North. She nodded, smiled, listened attentively, and left as quickly as she
had come. Forty-five minutes later every painting wore a sold sticker.
Ken extended his stay, in order to accept all the invitations he was besieged
with. He had been in Madrid for six weeks, when his father called.
“You must come home right away.”
“What happened?”
“Just, come home immediately. It looks like the trust company has
gone under.”
He flew home the next day and took a cab directly to his father’s apartment,
where he found him more agitated than Ken had ever known him
to be. “This is real trouble,” he said. “We tried to get into the office and it’s
locked – the locks have been changed and nobody is there.”
In his own office, he discovered several key files missing. He arranged
a meeting with other clients of the trust company. There were rumours.
Some said the company principal had moved to the Fraser Valley, where
he had set up an Arabian horse farm and purchased a Rolls-Royce. Others
said he had simply vanished without a trace.
Ken called the RCMP commercial crime division and drove to the station
with his father. The officer explained that the department was aware
of the issue. “It’s a complicated mess,” he said. “We’re going to have to
investigate you and your activities, the same as everyone else.”
The police found many of the missing files but not a trace of the company
president and CEO. Rumours continued to circulate. One claimed
that the head of the trust company had had nothing to do with the missing
funds. It was Ken Kirkby. He was crazy, and smart, and out of the
country when disaster struck. He was the one who had masterminded the
plot. The media ran with it and reporters parked their cars and vans in
front of his house waiting for one glimpse – to take just one picture with a
telephoto lens. Two professional hockey players, convinced that Ken had
taken their money, filed a lawsuit. The judge threw it out of court. Ken
threw himself into the investigation, working with the police day after
day to piece together what had happened.
The RCMP interviewed the victims of the fraud and examined the
documents. Sorting through his own papers became a full time job, and
there were many times he gave up all hope of making sense of them.
His greater despair was the loss of his friends.

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Ken Kirkby, A Painter’s Quest for Canada

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There is a deep hunger to have the sunshine of their former
homes, and of their great-grandparents’ former homes. There are these
stories that persist about how wonderful life was, and how sunny it was,
and how warm it was. But, with the exception of this little coastal strip,
this is a very cold country. You’re trying to give paintings of vast, distant
places that are freezing cold, to Canadians. Why would anyone, with the
psyche I’ve described, even think of buying one? They won’t even come
out to look at them.”
“Well, Jesus!”
“Go ahead – break my argument.”
“What else about these paintings then?
“One word – pretty. The Canadian art scene is almost non-existent,
but what passes for imagery in the public mind at large is pretty. Doreen!
Doreen! Bring some magazines!”
Fraser grabbed the top one, from the stack Doreen delivered, and
opened it at random. He turned two pages and pointed. “Look – here’s an
ad – it’s perfect. Isn’t that a pretty photograph? Do you notice that it has
a white, sandy beach, a scantily clad couple, and palm trees? People work
very, very hard to make money, so they can save some up and go to that
place – and it’s very pretty. That’s what is in their minds. You and I are the
children and grandchildren of peasants, and we have their tastes.”
Fraser reached into his pack of cigarettes, pulled out a fresh one, and lit
it from the butt that had almost burned down to his fingertips.
“It’s taken Europe an eon to get to its appreciation of art. You’re expecting
too much, too quickly.”
“But, if we don’t push we won’t get anywhere,” Ken said.
“It’s not just a matter of pushing the public. We have to find individuals
who will get behind this. It’s not just good old Alex and Ken who are
going to go and foist this on the country. It’s a much bigger story.”
Ken left the gallery deep in thought. Yes, there was truth in what Fraser
had said but it wasn’t the whole truth. Canada was ready for his paintings.
The Group of Seven was proof. Fraser thought they were rubbish too. If
he wanted to tell his story through his paintings, it wouldn’t be with Alex
Fraser by his side.
Unexpectedly, Ken received a letter from his Aunt Vicki in Madrid. She
had taken the photographs he had sent her, of his latest paintings, and
shown them to a popular gallery owner who wanted to exhibit them.
He tapped the note against his desk, read it again, and picked up a
pen. He wrote a letter to Mr. McEachern, the Minister of Foreign Affairs,
describing his good fortune in coming to Canada, and telling him how
he had arrived in this country. He wrote about his art and said that he
wished to go back to Europe for an exhibition in Madrid.

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Ken Kirkby, A Painter’s Quest for Canada

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When he entered the classroom, he sat on the teacher’s desk, his feet
dangling, and told stories about the Arctic. The children listened raptly.
He received another speaking request, and then another, and another.
He accepted all of them. His talks were a training ground for what was to
come. Fraser had been right. “”We’re not selling paintings; we’re selling
stories.”
He spoke to classrooms of elementary students and to older students in
high schools. One time he began with, “Before we get going I want to tell
you, just so that no fraud is committed here – I never went to school.”
The children gasped.
“It’s kind of weird, isn’t it – that I’ve been asked to come and talk to
you but I didn’t go to school? Now, make of that what you will. I’m not
suggesting that you don’t get a formal education, but I am suggesting that
there are those of us who probably fare better if we don’t.”
He shared his thoughts on education – what it is and what it is not. He
wove his ideas into stories of the Arctic, stories of politics, and stories of
old mythology. His stories posed questions. “Why do we think things are
right and why do we think other things are wrong? Where did we get all
this stuff? Who wrote it down? Who says it’s true?”
His speaking invitations multiplied, until he could accept no more. He
met with the principal of one school that had made a request, and said,
“I want to speak to the whole school. Give me your auditorium. This is
a performance, and I don’t want forty-five minutes – I want the entire
afternoon.”
He asked that the banners in the auditorium be taken down, all the
lights turned off, and the windows curtained. He asked for one microphone,
with a long cord, and a spotlight on centre stage. There would be
no adults in the auditorium, although teachers could position themselves
out of sight where they could hear. The children were to come in and sit
on the floor. When they were seated, the room would be plunged into
total darkness, and the children would sit for three minutes in silence,
before he walked on the stage.
“Are you out of your mind?” the principal said. “These aren’t children
– they’re little animals! It will be chaos! You obviously don’t understand
children!”
“I probably do,” Ken said. “I was one once and I probably still am.”
“It can’t be done.”
“Fine. I live in a world where apparently everything can’t be done.
Have you ever tried this?”
“No.”
“Then, you’re educating children and giving them advice based on
things you’ve never done. That’s one hell of a way of going about things.
Well, that’s my offer – take it or leave it.”

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Ken Kirkby, A Painter’s Quest for Canada

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“Why?”
“A painting that is given is all but worthless. It’ll be up in the attic or
down in the basement before you know it. A painting must always be
well paid for and it will be up above the mantel quicker than you can
snap your fingers – and it will stay there. And another thing you need to
know – you never give wealth a gift. It’s one of the ‘middle classes’ really
bad habits.”
When Ken walked into the gallery in Kelowna, Jack Hamilton took
him into the back office and handed him an envelope. “I see you keep
very fancy company,” he said.
Ken tore it open. The premier had written that he would be delighted
to visit the gallery the next morning at eight.
At seven-fifty, Jack staggered down the steps from the apartment above
the gallery, in his rumpled pyjamas, unlocked the front door to let Ken
in, and shuffled back up the stairs. At eight sharp, a chauffeur driven car
pulled up, and Bennett stepped out. He gave Ken a hearty handshake, sat
down at a small table near the front of the gallery and asked to hear stories
of the Arctic. “I thought you were just going up there for a month or
two, but you seem to have gotten yourself lost up there.”
“In a way, I did,” Ken replied. “It’s a long story.”
“I want to hear it.”
He told the Premier about his adventures and the atrocious conditions
the people lived with. He talked about the famine and the disease, and the
autocratic rule of the church, the RCMP, and the Hudson’s Bay Company.
When he finished, he asked if there was anything the Premier could do to
help the people up there.
Bennett stood. “Let’s see your paintings,” he said.
They walked through the gallery.
“What do the red dots signify?” Bennett asked.
“It means they’re sold.”
“It looks like they’re all sold.”
“Yes, they are.”
“You must be doing very well.”
“Yes I am – I’m very lucky.”
“I’d say there’s more than luck involved. I know nothing about art but
I do like what you’re doing, especially that one,” pointing to a landscape
of rolling grasslands. “I’d be interested in owning that one.”
“I’m sorry,” Ken said. “I’m afraid the entire exhibit was sold before it
got here.”
He led him into the back office where three paintings leaned against
the wall. “These are not sold,” he said.
Bennett pointed to one of the high plateau on the Douglas Lake Ranch.
“I like that one. Where is that?”

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