Ken Kirkby, A Painter’s Quest for Canada

excerpt

When they immigrated to Canada, and settled in Toronto, they founded
a tile company and then became real estate developers. Their flagship
building was First Canadian Place, the tallest building in the Commonwealth.
Ken talked about them and gnawed on the information he had
like a dog on a marrow bone.
“Forget about them and come into business with me,” Henri said.
“Why try to sell paintings to people who don’t buy paintings?”
Ken finally looked at the books, which revealed that the frame factory
was struggling to stay alive.
“You can buy half,” Henri offered.
“Why would I buy half of a sinking ship?” Ken asked. But, he agreed
to become a partner. Perhaps, it would be a good idea to be seen as a
businessman instead of an artist. He might be viewed with more respect
and given more credibility. He would buy his half with orders for frames.
Henri agreed to build Ken a studio across the top of the factory.
Within six months, Ken had paid off the fifteen thousand dollars he
owed and moved into his new studio where he began work on two large
Arctic paintings – one for First Canadian Place, measuring sixteen by
sixteen feet, and one measuring slightly less, for the new international
airport planned for Yellowknife.
Marsha said, “You have no money and you’re going to create two giant
paintings that no one wants to buy. It makes no sense!”
It made sense to him, even though he had no explanation to give. He had
learned to listen to his inner voice, and it was telling him to paint the canvases.
Nobody’s doubts could stop him. He was going to show the world!
The new studio was too small for the massive paintings and so were all
the conventional canvases. He joined four lengthened panels with invisible
seams by bevelling the wood, squeezing the stretchers together with
clamps and creating knife-edges that melded together. Through painstaking
experimentation with a torque wrench, Vise-Grips and a canvas
stretcher he created a unique design that produced perfect tension on
every square inch of canvas. When the tension was perfect, he hosed the
canvas down to shrink it. One of his first canvases exploded, and one flew
off spinning like a propeller, but he finally got it right and made a sixteen
by sixteen and a twelve by fourteen foot canvas.
He was still mystified by his inability to sell paintings of the Arctic.
One day, while he was driving on Steeles Road near the Allen Expressway
a question leapt into his mind. “If you were limited to one image – one
object from all your experiences in the Arctic, and that was all you were
allowed to portray, what would it be?”
Inukshuk!
Ken was stopped at a red light. The light turned green…

https://www.amazon.com/dp/0981073573

Blood, Feathers and Holy Men

excerpt

Brother Rordan looked around for Svend or Ul, whichever his name was. Determined
he’d find him, he only wished to apologize for his earlier blunder and perhaps
be his friend. Maybe Ul was being ‘used’ by the captain and felt ashamed of his position.
The crew, apart from the captain, seemed to give him a wide berth. Perhaps
already on board, the Irish thrall was nowhere to be found.
When the feast wound down, the late summer sun had moved along the far horizon.
Songs and games became more boisterous. The Norsemen wrestled, stripped
to a narrow loincloth, their bodies glistening with lamb fat. Bjorn, strongest of them
all, won every bout. Bjorn was aptly and fondly named the Blonde Bear for his massive
bushy beard and hairy chest. No Norseman ever refused his challenge. Each
preferred to be thrown by the mighty Bear than be seen as any less than a brave son
of Odinn, god of war. Spectators circled the wrestlers, cheering on each challenger
in his turn. Sometimes, Bjorn allowed a man to hold him for a while, but never long
enough to claim a victory. As each challenger lay defeated, the great champion lifted
him up with the love of a Nordic brother. In all his show of strength, Bjorn was
almost gentle.
When the wrestling was done, other games of skill took place. Some competed in
feats of archery and knife throwing with targets set at greater and greater distances.
Prizes of bone-handled knives and silver jewellery were awarded to winners in each
category. Several men began a game with a leather ball. They used sticks to hit the
ball and one another’s legs. Competition grew loud and fierce. The ball, the size of a
man’s fist, flew hard and fast.
At last, the casks of beer were drained. One by one, the players left the game to
sit in small groups and talk about home and women and their dreams. Each man
speculated on his share of the profits, when they’d sell their catch of sheep and slaves
at the marketplace in Thulé.
By the dying embers of the fire, the captain filled his men’s cups with sweet mead.
He and his crew toasted further adventures and Valhöll, where all slain warriors
would live for all time, happily feasting with Odinn. All grew serious for a while.
Then Bjorn tossed the ball to Kyrri, the Quiet One. Kyrri tossed the ball to Captain
Hjálmar. This was a different game, played with a twist of humour. While Bjorn and
Kyrri covered their eyes, the other men began a song.
“Treasure hidden in the night, so safely out of view,
will not be gained without a fight. The search is up to you.”
Hjálmar tiptoed off to hide the ball. Much to the amusement of the onlookers,
he slipped it up the loudly snoring Finten’s tunic, then stood apart chuckling. On a
signal from the singing crew, Bjorn and Kyrri began the search from man to man, accompanied
by cheers and sighs of “koer, varmr, heitr, kaldr” and the Brothers joined
in with their own shouts of “close, warm, hot, cold.”
Finally, with whispered hints from various members, Bjorn snuck up on the apparently
sleeping monk. But as Bjorn reached under the priest’s tunic in search of
the hidden ball, Finten grabbed his wrist and bellowed, “Do you take me while I am
sleeping? You are desperate, my poor fellow, but I have a vow, and my vow applies to
women and to men. I cannot satisfy you asleep or awake. For shame.”

https://www.amazon.com/dp/1926763106

Wheat Ears

Hades
Under the watchful eye of Hades
I used my strong hand to spread
the brown to the right
and the bloody red to the left
hills and paths that led
downward to the sea
where sweat and salt mixed.
Then for a moment I stopped
to listen to the owl’s call
requiem for my dead comrades
hour of wisdom incarnated
lines of people I pulled from
the earth’s bottom
chthonian climax
unorthodox couplings
the expert analyser that I was
and I counted
the fingers and phalli of men
eloquent contours of women
sea caves where future
generations were destined to dwell
labyrinthine quotations
asymmetrical widths
elliptical lengths of shadows
during the saddened August
I searched the fiery seashores for naked
bodies peacefully lying on the sand

https://www.amazon.com/dp/B0BKHW4B4S