excerpt

‘The Twelfth’ means one thing to the Protestants of Northern Ireland: the annual Protestant celebration on the twelfth of July. This is the Orangemen’s Day, the day on which they turn out in their thousands to commemorate the 1690 Battle of the Boyne, in which the Protestant King William III defeated the forces of the deposed Catholic King James and thereby ensured that the British monarchy would be forever Protestant. The commemoration takes the form of parades throughout Northern Ireland, the largest being in the city of Belfast which takes on a festive atmosphere, at least in the Unionist areas. At the start of July, some of these Unionist areas will proudly fly Union flags, Ulster flags, sometimes even the flag of Scotland, from lamp posts and houses, and stretch lines of red, white and blue bunting over the streets. In especially Loyalist areas householders decorate their homes with defiant displays of bunting and flags, touch up murals depicting historic Protestant themes, attach small banners to lamp posts, and erect arches across residential streets or even main roads, the arches ranging from elaborate wooden, trellised constructions to a couple of ropes hung with the ubiquitous flags and bunting.
Orangemen on parade typically wear a dark suit, an Orange sash, white gloves and a bowler hat. They march in orderly rows behind flute, brass, silver or pipe bands, each lodge bearing aloft its large, elaborate banner. Orange banners are a significant part of the culture of Northern Ireland, particularly for the Protestant community, and one of the most prominent genres of folk art in the province. They depict in luxuriant detail heroes of the Orange Institution or historic or biblical scenes, or Unionist symbols, the most popular subject being King William on his white horse, purportedly crossing the River Boyne. An Orange parade is a noisy, boisterous, colourful demonstration of Protestant supremacy, with its hundreds of bands and banners and sashes, its jubilant throngs of spectators lining the route of the march or supporters walking alongside their favourite band or lodge, singing provocative Orange songs at the top of their voices. The Belfast-born poet, Louis MacNeice, wrote about ‘the voodoo of the Orange bands / Drawing an iron net through darkest Ulster…’
While The Twelfth is a Protestant celebration, not all Protestants celebrate it, whether for personal political or cultural reasons or from bored indifference. One such was Robert Hanlon, a Protestant married to a non-practising Catholic. He always left his native city on The Twelfth, happy to flee to the peace of the countryside. On the weekend before the big day …

https://draft2digital.com/book/3562904

https://www.amazon.com/dp/1926763270