Ευαγγελία Τάτση, Δύο ποιήματα

Mesopotamia and the Making of History

Life is a Poem

GRAVITY
Sometimes,
even this afternoon,
gravity –
what else could it be? –
pulls me up close and calls me
as if I were its slave
holds me tightly in its fist
not to be scattered in nothingness.
The bones can’t take it anymore,
it plays with them in vain,
they weaken under the flesh,
and the flesh is weakened as the hearing is,
that is also getting weaker.
I
I will persist as long as I can
and I will give myself to its will.

https://www.amazon.com/dp/B0C7KT7ZFV

Ken Kirkby, A Painter’s Quest for Canada

Excerpt

And are they brave enough? The most dangerous place in the world is the
centre of one’s self where all the secrets and all the fears lie. I’m prepared
to go there even if it shrivels me up like an autumn leaf. That’s what it’s
about to me.”
On the third day, Ken refused to do what the teacher asked of him.
“Show me how to use different materials.” Ken said.
“No. You have to follow the rules.”
Ken sighed. “Picasso broke all the bloody rules – don’t you understand?”
“Oh – and you’re going to break all the rules!”
“Absolutely – I’m going to shatter them and then pick up all the pieces
and see what happens when you put them back together again differently
– but not as ugly as Picasso.”
At the end of the class, Ken packed up his books and pencils and left.
His formal art education was finished.
Ken’s father made inquiries and found a tutor – John Traynor, an Irishman
– who gave lessons in his private school. Ken found the lessons, if
not exciting, at least enjoyable and interesting.
Shortly after Ken’s uncle’s visit, his grandfather, Don Hymie, and
grandmother, Victoria, came to stay for several weeks. Victoria was the
matriarch of the family and ruled it with the proverbial iron fist. She was
a tiny woman with a curved back, a stooped gait and hair that reached the
floor when she let it down.
Ken loved to brush his grandmother’s hair with her silver-backed tortoiseshell
brush. Victoria, in turn, enjoyed nothing more than having her
hair combed and the two became friends. Ken was the only one in the
family who she never tried to terrorize. She called him a clown. “Tu es un
Paeaso.” But the word had deeper textures than merely clown. It embodied
the village idiot, the King’s fool and the savant.
Ken also developed a strong relationship with his grandfather, whose
passion was his plants and his orchards. He derived enormous pleasure
from grafting fruit trees and he was an avid historian and linguist. When
he came to visit, he told Ken, “I am going to be your history teacher.”
Every day Ken and Don Hymie walked to the beach to have lunch with
Francisco. Class distinctions meant nothing to Don Hymie and that alone
was enough to command Ken’s love and respect.
At low tide, they would wade out and hunt for shrimps, which they
would quickly throw into a pot of boiling water and eat by the handful,
accompanied by large pitchers of beer. While they ate bread and shrimp
and drank beer, Don Hymie told stories of his family history dating back
for hundreds and hundreds of years.
As summer drew to a close that year, his father asked him one day – as
was his custom – what he wanted for his birthday.

https://www.amazon.com/dp/0981073573

Bertolt Brecht//Εγκώμιο στον Κομμουνισμό

Carlow Latorre (1916-1980), Έμπεδη γνώση (Sciencia cierta)

Tasos Livaditis – Poems, Volume II

Long Listed for the 2023 Griffin Poetry Awards

https://griffinpoetryprize.com/press/2023-longlist-announcement/

Alcoholism

I, holding a lamp, was going down the stairs; I had

to discover who I was, what I accomplished in the past;

yet, the house was still standing, although we had once

pushed the walls down to make room for the one who

was leaving;

crippled men played my fortune in a card game,

at the far end, Jesus of the drunks was passing each

night along the foggy streetlamps, and I followed

the killer wiping his footprints in the snow, since

by now I knew; the woman, when I tried to hug her

made a light gesture and went into her door

leaving me outside.

       Oh Lord, please allow me to be dead and drunk.

       Only leave the stars which were friendly to me

even in the streets where they were shooting. 

https://www.amazon.com/dp/1926763564

Chthonian Bodies

Hyperbole
And I evoked the Great Spirit
when I saw the woman dressed
in the softness of her skin and
when I felt her children’s soles dancing around
my trunk I was a delicate
fairy in the arms of the wind
before the axe of white man took
my life to warm up his loneliness
man who sighed the sadness of absence
and I said
I was never a bearer of negation
only partner of the child’s laughter
innocent curiosity of the open window
I stood amid the giants when
my gigantic wings couldn’t fit
in my room’s enclosure I spread
upon the harmonious melody of the waves
the forest owl crying on my limb

https://www.amazon.com/dp/1926763424

Bertolt Brecht // Εγκώμιο στη διαλεκτική

The Gift of Imperfection: How Flaws Make Us Whole