Ken Kirkby, A Painter’s Quest for Canada

Excerpt

“I’ll give it to you,” Ken said.
“No,” he said. “You have to learn about artwork. You don’t give it away.
If you do, it becomes worthless. Things that are given, such as works of
art, tend to sit on the shelf for a while and then they go into a bedroom
somewhere and before you know it they’re in the basement and they become
part of the flotsam and jetsam of people’s lives. But if you pay a
great sum of money for something it goes over the mantel and you hold
cocktail parties to boast about your acquisition. That is one side of the art
world you’re going to have to learn about. How do we attribute value to
something in a world that understands very little? Everything is quantified
in our world. Therefore, if it has a big number attached to it, it must
be of great value.”
Ken and Rui agreed on a sum of money that was not too great but that
seemed like a great deal to Ken. With great pride he told his father that he
had sold a drawing to Rui.
“Did you offer to give it to him?” His father asked.
“Yes, I did and he wouldn’t take it,” Ken said and repeated what Rui
had told him.
Ken Sr. smiled. “Yes, that’s probably quite wise,” he said.
One day, When Francisco and Ken came out of the shack to go fishing
they noticed a young woman walking on the beach. Ken had seen her
from time to time walking to or from the hospital where she worked, or
climbing down the cliffs to the ocean. On this day, as so often happened,
the beach was empty, save for themselves and the marine life that scurried
about the rocks. The young woman had not seen the old man and the boy
and thinking herself utterly alone, took off her clothes and walked into
the water. Ken was mesmerized; she was the most beautiful creature he
had ever seen. “Look at that,” he whispered to Francisco.
“Yes,” he said, as though reading his thoughts, “She is very beautiful.
She has a limp, you know.”
“What does a limp have to do with anything?”
“It’s a long and complicated story – and we should not be interfering
here. She thinks she’s alone so let’s let her be alone.”
From that day on she became Ken’s passion. He discovered that she
was a nursing student and that she had come from a village several miles
away. Her family were peasants but she had studied hard because she was
determined that she would not become a servant for rich people.
He also became friends with Dawn Coates, a girl who was being tutored
at the same small school he attended each day. Her parents were
divorced – her mother, American, and her father, English. She was one
of the first children he had ever admired. She was strong and direct and
seemed fearless.

https://www.amazon.com/dp/0981073573

Ken Kirkby, A Painter’s Quest for Canada

Excerpt

And are they brave enough? The most dangerous place in the world is the
centre of one’s self where all the secrets and all the fears lie. I’m prepared
to go there even if it shrivels me up like an autumn leaf. That’s what it’s
about to me.”
On the third day, Ken refused to do what the teacher asked of him.
“Show me how to use different materials.” Ken said.
“No. You have to follow the rules.”
Ken sighed. “Picasso broke all the bloody rules – don’t you understand?”
“Oh – and you’re going to break all the rules!”
“Absolutely – I’m going to shatter them and then pick up all the pieces
and see what happens when you put them back together again differently
– but not as ugly as Picasso.”
At the end of the class, Ken packed up his books and pencils and left.
His formal art education was finished.
Ken’s father made inquiries and found a tutor – John Traynor, an Irishman
– who gave lessons in his private school. Ken found the lessons, if
not exciting, at least enjoyable and interesting.
Shortly after Ken’s uncle’s visit, his grandfather, Don Hymie, and
grandmother, Victoria, came to stay for several weeks. Victoria was the
matriarch of the family and ruled it with the proverbial iron fist. She was
a tiny woman with a curved back, a stooped gait and hair that reached the
floor when she let it down.
Ken loved to brush his grandmother’s hair with her silver-backed tortoiseshell
brush. Victoria, in turn, enjoyed nothing more than having her
hair combed and the two became friends. Ken was the only one in the
family who she never tried to terrorize. She called him a clown. “Tu es un
Paeaso.” But the word had deeper textures than merely clown. It embodied
the village idiot, the King’s fool and the savant.
Ken also developed a strong relationship with his grandfather, whose
passion was his plants and his orchards. He derived enormous pleasure
from grafting fruit trees and he was an avid historian and linguist. When
he came to visit, he told Ken, “I am going to be your history teacher.”
Every day Ken and Don Hymie walked to the beach to have lunch with
Francisco. Class distinctions meant nothing to Don Hymie and that alone
was enough to command Ken’s love and respect.
At low tide, they would wade out and hunt for shrimps, which they
would quickly throw into a pot of boiling water and eat by the handful,
accompanied by large pitchers of beer. While they ate bread and shrimp
and drank beer, Don Hymie told stories of his family history dating back
for hundreds and hundreds of years.
As summer drew to a close that year, his father asked him one day – as
was his custom – what he wanted for his birthday.

https://www.amazon.com/dp/0981073573