Theatre In the darkness of the theatre absence reigns over the indiscernible performance of an ambivalent dust particle actors fill the air with grunts as though talking of love in the theatre full of corpses while music debates life at the moment of the lead actor’s death while you laugh at his funny hat and his shirt, with the fiery red stamp over his heart
“My father awaits for us, oh my beloved and the people weave wreaths and crowns.” “My horse is neighing, oh my love, ready to take us away to our destiny” “The throne is meant for us, oh my beloved, the horns of war and the lyres of peace are heard!” “Voyages await for us, oh my love, to unknown lands to our first Fate together!” “Let us stay here and have children, oh my beloved, a new world to our likeness!” “Let us go, my love, to give birth to the generation of tearless which will change the world in order to reach to this land I turn my heart into stone and I made a cemetery of my soul I turn my mind into an arrow and my wish into a ghost I used all these starting with my parents who I killed.
Volodya hung back to the end of the line. Jennifer knew now that he would not flee; he would brazen it out. Besides, he had the passport. Soon David was there beside her, as always, to support her. “Pull yourself together,” he urged her, glancing at her worried frown. “You haven’t been implicated in anything.” “They’ll ship him back to the Soviet Union.” “No, I think it’s Lona that’s going down today.” She was just beginning to calm down when one of the Americans approached her with a shout. “Hey, Jen. Why are they beating up on your guy?” She could feel the blood rush away dizzyingly. “What do you mean?” Her voice had faded to a whisper. “They’ve got him by that desk as if he’s gonna be there for life.” The man laughed crudely. “He doesn’t look like a terrorist with that little pointy beard.” With a huge sense of relief, Jennifer realized he was talking about Chopyk as “her guy.” Not Volodya. David let out a long breath. He was thinking the same thing. The time crawled by. The line snaked through the shabby building with most of the passengers being released to mill about on the apron in front of Jennifer. As Jennifer remained at her post, Volodya finally appeared from the building walking carefully, nervously, but his eyes held that same light of triumph as they had just a few brief hours ago. He joined her, wordless. David shook his hand. The very last people to exit the building were Chopyk and Lona who had linked arms. Her face was crumpled like that of a pouty child. Chopyk stared straight ahead and explained nothing as he passed the group. They were ushered to their plane. Volodya resumed his seat beside Jennifer. The plane took off. Once again, someone had spoiled the party and the tension filled the stuffy cabin. A swarthy young man—Kazak or Uzbek, maybe—walked down the aisle, stared at Lona with interest and finally addressed her in thickly accented English. Jennifer could not hear the exact words but soon the man had insinuated himself into the vacant seat beside the blonde who still looked dazed. He’s either security keeping an eye on her, or she’s found yet another admirer. At least, this time, the trouble was not about her, Jennifer thought with relief.
From which sky does this poison drip and moistens my life drop by drop? Where is that light which flooded my life when my glance fell on his body, that was vaguely discerned under the manly attire? It was when words overflowed images flew like wild birds that refused to feed on words even if they were hungry for them. The night wasn’t frightening silent as it was, it narrated tales it promised a dawn. People weren’t the tedious opposite to loneliness but wells that hid fresh and consoling secrets in their depths. I say: am I perhaps the reason or darkness that opposes life and comes steadily near me?
Yes, the servant girls knew this stairway well after living in this house for many years, yet they uncovered their faces and looked at it, they turned and looked behind them to make sure they hadn’t been seen, then they covered their faces and hands again and they left: small, black, dirty, stooping, like black stigmata, like flies during a malaria, under the stony rain of the colonnade and the big broom was left inverted behind the kitchen door, like a nightmare with raised hair that couldn’t scream. Everyone has left us. We brought foreign cleaning women to clean the stairway, and the marble floors, to clean them well. Soon the marbles sweated out blood again. The cleaners left too. They deserted us; so, we forgot about everything too: sweeping, mopping, dusting and the marble kept on sweating out more and more blood. A red river flowed in and out of our house; we stayed away from people; soon people forgot all about us too; they weren’t afraid of us anymore. We weren’t scared of them.
…when he took it in as though he were touching the Bible. The mayor examined it with great curiosity while fellow villagers looked over his shoulder to get a good look at this piece of paper, too. “So, this is a diploma,” said the envious mayor when he handed it back to Hermes. “Yes, this is the diploma and here is my award.” Hermes showed him another piece of paper with golden letters and official stamps honouring him for his excellent standing in the class. “You also received an award, Hermes?” The mayor’s eyes widened, “Bravo! My congratulations once again!” He looked at the paper more closely and asked. “So, what are you going to do now, young Dragakis? Become an economist? What does an economist do?” Hermes gave them a brief explanation of what an economist was and how he had a scholarship to study abroad for two years and then would be teaching at the university. The mayor and the others had a hard time understanding what all these meant. “Scholarship to go to another country and study,” the mayor said as if talking to himself. “Which country are you heading for?” “Canada.” The crowd turned to look at one another, with awe written upon their faces. They felt quite proud of the son of George Dragakis; not many young men from the area got the chance to go to the city and study, never mind accomplishing what Hermes had, this far, this fast. Demetre’s cheeks blushed thinking of this young man who had brought their family and ancestors this honour of achievement. Smiling, Demetre took Hermes away from the crowds. “Time for us to go to my brother’s place.” So, they said their goodbyes and started their walk to the house at the other end of the village. They followed a narrow pathway and, in a few minutes, arrived at the house. As they approached his father’s dog, the hound started to bark. The uncle and his nephew were not even inside the fence when his mother, as though by instinct, came out of the house and saw them.
…housewives and excited children. After checking off the names of volunteers who manned each booth, he moved on to the next. Few of the women had time for more than a glance and a nod in his direction, but preparations appeared to be progressing well. As he approached the bake sale table, an annual endeavour of the Anglican Church ladies group, he spotted his wife working at the table with Mrs. Carson and Mrs. McKinnon. But before he could greet them he heard his name called. Will turned to see Mrs. Draper, a director’s wife, hurrying towards him. “Oh, Mr. Andrews,” she said breathlessly, “I’ve been looking all over for you. Janet Peterson was supposed to be helping me with the preserves booth but her husband just told me she’s sick and won’t be here.” Beads of perspiration from her forehead were sliding down each side of her moon-shaped face. “I can’t handle it on my own, there’s so much coming in, and that judge from Bradshaw doesn’t know what she’s doing.” “All right,” Will said, “you go back to the booth and I’ll send someone over.” Muriel Draper extracted a crumpled handkerchief from the puffed sleeve of her cotton dress. She mopped her face, muttering as she turned away, “And it’s already so hot. I don’t know how we’ll survive in this building all day.” Will thought if Mrs. Draper calmed down she wouldn’t feel the heat so much. As he turned back to the bake table, he wondered idly how poor Charlie Draper could stand his wife’s whining day after day. “Molly,” he said, after nodding briefly to his wife’s companions, “will you go over to the preserves section and help Mrs. Draper? Her partner isn’t coming and she’s snowed under. You know how excited she gets.” Molly gave him a sour look. “Really, Will, can’t you find someone else? You know I’m needed at this table to help with pricing and sales.” “I’ll find someone else to come here then,” Will said firmly, “but there’s no one else who knows how to arrange exhibits like you do.” Mrs. Andrews, not in the least mollified by his compliment, shrugged her shoulders irritably, picked up her purse from under…
Additions to the Void High up in the sky, deep in the soil the wise men-kids of astral mistakes sorrowful for their reasons saunter in the heaviness of what they believed in libraries-flashes of infinity ephemeral reflective habitations clouds that flow the whole cosmos an addition of emptiness an anarchic escape. Tomorrow always existed riding a horse imagination of a word in the cracks of the mind.
Tasos Livaditis was a man and a poet who knew how to be likable. Not only because he was handsome both in his youth and later on in his senior years, not because he was the center of attention in various gatherings of his days, but also because of his poetry. But why was it so? His creative life could be easily divided into three periods, first being the period of beliefs, second the period of the crisis and third the period of recovery and in all three periods Tasos Livaditis was a very likable man to everyone he met, dealt with, associated with, made friends with, shared his hours in exile with. And Livaditis was a likeable man also because of his goals. During the first period, his goal was the struggle, something that spoke on behalf of everyone and also talked of a better future. In the second period, he tried to conceal the crisis he faced and kept away from his poetry by turning his attention to the people around him. During the third period of his creative life, his most important, if you like, he’s the poet everyone liked because of his ability to select the unexpected. Evident in the first book of this period, when he dealt with the issue of defeat, he encountered: He kneeled and laid his forehead on the floor. It was a difficult time. When he got up, his embarrassed face that we all knew well had stayed there on the planks like a useless inverted helmet. The same man returned home without face — like God That like God and the face on the planks are the unexpected images that put this poet apart from others. Tasos Livaditis could minimize his importance, to lessen the size of his stature, to present himself as haunted, as prey, as one who is punished; he never liked the pompous and unnecessary verbalisms:
For years, I’ve prepared myself for that big moment the miracle of the century, on the other hand you must admit I’m one of a kind in my field. But, God, what happened, who betrayed me, where they find all the proof? The procedure was quick. The district attorney, to the point, “Are you him?” he asked me, “him,” I answered is there any worse charge? ~ Kostas Kouloufakos
Ecce Homo Here, the martyr opens his heart, here he transcends his bodily borders and as if grasping onto a thin thread, he unfolds his life, turn by turn, and fight after fight, he opens his diaphanous heart and spreads his creative stamina over the mediocrity of contemporary society hoping for a reaction, for a word of acknowledgement from someone, for a comment about his insatiable wish to change, to transform, to mediate between the abundant animals around him and the eternal source from which he drew his images, alas, to receive no answer, no comment, nothing is for him other than merciless silence which confronts the man, only to leave him, forever battling himself and the braggarts who encircled him, leaving no escape, but silence into which he dwelt for the rest of his life