In Turbulent Times

Excerpt

Ian buttoned his jacket, lit another cigarette and waited. His feet were sore and his calves ached. He shifted his position every couple of minutes. He thought: They can’t sit all this time on that concrete wall without their arses getting sore. He lit another cigarette. At his feet a litter of butts and grey ash messed the pavement.
The sky was darkening to sea-blue. A few stars twinkled.
At last they moved. While applause for the performance died to silence, and a low buzz of conversation replaced it, Nora and her friends slipped stiffly from the wall and stretched and put on cardigans. Ian saw Nora’s large bust below her blouse. She turned to the sallow man and said something. He replied and waved a long, skinny hand. The three girls walked away together along the path by the sea-wall and out on to the main road. They turned to the right in the direction of the Drumard Strand Hotel.
Ian followed until they had sauntered past his car. When he himself reached the car he climbed in and drove to the hotel by a side road that passed a row of private houses with gardens extending to the beach. It led him by the railway station and the bus terminus to the driveway of the hotel. He parked the car, combed his hair in the rear-view mirror, straightened his jacket and then walked casually into the plushy ambience of the hotel. It struck him as being somewhat old-world and serious but comfortable.
He entered the leathery den of the Slieve Corragh Room, where he had first met Nora and her friend. The bar was busy but not full. He stood in the doorway for a moment while the muted hubbub of voices and laughter and the warm smoky air drifted past him into the thickly carpeted lobby. He looked at the coffered, wooden ceiling, the white upper walls above dark, varnished wainscoting. A large painting of Slieve Corragh hung on the wall to his left. He felt at home here. This was his milieu. He strode across to the bar and sat on an empty stool beside a naval captain who had his back turned half towards him as he talked to a lady with a blue rinse in her hair.
‘Scotch and water, please. Glenfiddich.’
He waited. Out of the corner of his eye he could see the doorway. The anticipation and the Scotch and the aftermath of a mixed grill were teasing his stomach maliciously. He was acting like an adolescent, like a seventeen-year-old boy suffering his first unbearable love for the girl up the street, the skinny little girl in pigtails who had suddenly, without his noticing, grown into a woman. Ian’s knees were trembling. He gulped down the Scotch and ordered another.

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Cloe and Alexandra

The Yellow Cab
No sir, you confuse me with someone else.
It wasn’t I in
the yellow cab
I never sat with you in the back seat.
It wasn’t snowing either, I’m sure of that
no snowflakes fell on my hair.
In fact I have no hair.
You’ve never kissed me, I would have remembered of it.
But even if you kissed me, it wasn’t I you kissed.
Neither did the driver turn back his head.
Silently he crossed the lake to the edge
and from time to time he dipped
the oar in the black surrounding waters.

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Introspection

Theta

…and I said,
he is a hero, too, since he endured
human pain and
he loved the fragrance
of the night flower
which didn’t know of holidays
the sick man and I are comrades,
since we both experienced
the heroism of a twenty-four-hour duty
I practiced my religion
on the future catastrophe and
in the longing for the past
during which we endured pain
we, the youths with acne
and a light beard on our cheeks
us, who, one day,
will be called dreamers
and I said,
let them call me a foolish dreamer
let them name me crazy
let the joys of wealth be untouched
and let their glory be inglorious
I practiced my religion
on the perfection of human wholeness and
I hymned eternity with odes
Iota
I crafted iambuses about the cock

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